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L'Enfance Du Christ (Die Kindheit Christi)
Solistes STBarB, Choeur SATB, 2 Flûtes Traversière [Partition]
Carus Verlag
Trilogie Sacrée. Par BERLIOZ HECTOR. The history of the composition of the oratorio is odd: the kernel of this three-part work were the movements from the middle section, the “Flight to Egypt, ” which Berlioz composed on a whim in 1850 and which he passed off as the work of a baroque composer whose existence he himself had invented. In 1854 the triptych, which was completed with the parts entitled…
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Requiem Op. 89 Violon 2 (DVORAK ANTONIN)
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Requiem Op. 89 Violon 2 (DVORAK ANTONIN)
Violon [Partition]
Breitkopf & Härtel
Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For thi…
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Christus (MENDELSSOHN-BARTHOLDY FELIX)
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Christus (MENDELSSOHN-BARTHOLDY FELIX)
Solistes STBB, Choeur SATTBB, 2 Flûtes Traversière [Partition]
Carus Verlag
Oratorienfragment. Teil I: Die Geburt Christi - Teil Ii: Das Leiden Christi. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohns unfinished 3rd oratorio in its first critical edition. The parts 'Die Geburt Christi' and 'Das Leiden Christi' are presented with full orchestration. In 1852, five years after Mendelsohn’s death, two independently-performable fragments of an unfinished oratorio were published …
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Complete Dances Band 2 (SCHUBERT FRANZ)
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Complete Dances Band 2 (SCHUBERT FRANZ)
Piano seul [Partition]
Wiener Urtext
Edited From The Autographs, Manuscript Copies And First Editions. Par SCHUBERT FRANZ. Format: New Edition portrait/ Répertoire / Piano
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Christus (MENDELSSOHN-BARTHOLDY FELIX)
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Christus (MENDELSSOHN-BARTHOLDY FELIX)
Solistes STBB, Choeur SATTBB, 2 Flûtes Traversière [Partition]
Carus Verlag
Oratorienfragment. Teil I: Die Geburt Christi - Teil Ii: Das Leiden Christi. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohns unfinished 3rd oratorio in its first critical edition. The parts 'Die Geburt Christi' and 'Das Leiden Christi' are presented with full orchestration. In 1852, five years after Mendelsohn’s death, two independently-performable fragments of an unfinished oratorio were published …
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Piano Concerto In A Major (Suppl.15)
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Piano Concerto In A Major (Suppl.15)
Piano seul
EMB (Editio Musica Budapest)
Version for piano solo and other works. Par LISZT FRANZ. Supplementary Volume 15 of the New Liszt Edition contains both earlier versions of published works and also several works that remained as manuscript. The most extensive work in this volume is the earliest known draft of the Piano Concerto in A major (written in 1839 for solo piano). Not only does the draft give insight into the process of t…
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Sonatine (DVORAK ANTONIN)
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Sonatine (DVORAK ANTONIN)
Violon et Piano [Partition]
Barenreiter
Par DVORAK ANTONIN. Sonatina In G Major for Violin and Piano was written during a period of relaxed creativity and family contentment. Dvorak wrote it in America at the end of 1893 and dedicated it to his children who were both attending the National Conservatory in New York, where the composer acted as director. His daughter Otylie, later the wife of Josef Suk, and his 10-year-old son Antonin, al…
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Christus (MENDELSSOHN-BARTHOLDY FELIX)
Solistes STBB, Choeur SATTBB, 2 Flûtes Traversière [Partition]
Carus Verlag
Oratorienfragment. Teil I: Die Geburt Christi - Teil Ii: Das Leiden Christi. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohns unfinished 3rd oratorio in its first critical edition. The parts 'Die Geburt Christi' and 'Das Leiden Christi' are presented with full orchestration. In 1852, five years after Mendelsohn’s death, two independently-performable fragments of an unfinished oratorio were published …
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Complete Giuliani Studies (GRIMES DAVID)
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Complete Giuliani Studies (GRIMES DAVID)
Guitare
Mel Bay
Grimes David (Edtd And Comp). Par GRIMES DAVID. The studies of Mauro Giuliani (1781-1829) stand alongside those of Fernando Sor, Matteo Carcassi, Dionisio Aguado and Ferinando Carulli as the staples of the didactic pieces by the 'first generation' of classical guitarists. Giuliani was one of the most celebrated guitarists of his age, a brilliant performer and prolific composer. He left a legacy of…
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The Essence Of Bebop Piano and Guitar (SNIDERO JIM)
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The Essence Of Bebop Piano and Guitar (SNIDERO JIM)
Piano, Guitare (duo) [Partition + Accès audio]
Advance Music
Accès audio en ligne inclus avec le livrePar SNIDERO JIM. The Essence of Bebopis the new series by critically acclaimed New York saxophonist Jim Snidero. The Essence of Bebop reveals the heart and soul of this groundbreaking jazz style and is the first real \'manual\' for mastering bebop. The 10 enjoyable-to-play studies are inspired by Miles Davis, Charlie Parker, John Coltrane, Sonny Rollins and many more, offering a unique basis for s…
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Ouverture Egmont (BEETHOVEN LUDWIG VAN)
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Ouverture Egmont (BEETHOVEN LUDWIG VAN)
Orchestre [Conducteur]
Barenreiter
Op. 84. Par BEETHOVEN LUDWIG VAN. Beethoven?s incidental music op. 84 was written in 1809 for a performance of Goethe?s drama ?Egmont? at the Burgtheater in Vienna. Numerous composers of the day tried their hand at writing music for the dramatic material of Goethe?s tragedy, several in collaboration with the author himself. The overture reflects the themes of the play through its expressive music,…
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Konzert In Es Für Klavier Und Orchester Nr. 9 (MOZART WOLFGANG AMADEUS)
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Konzert In Es Für Klavier Und Orchester Nr. 9 (MOZART WOLFGANG AMADEUS)
Piano et Orchestre [Partition]
Barenreiter
KV271 'Jeunehomme'. Par MOZART WOLFGANG AMADEUS. Concerto For Piano And Orchestra No. 9 E-flat major K. 271 'Jeunehomme'. Piano Solo, Oboe (2), Horn (2), Violin (2), Viola, Violoncello, Double bass. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart 's autograph manuscripts). At the same time, it also serves …
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Sinfonie In F (RHEINBERGER JOSEF GABRIEL)
Piccolo, 2 Flûtes Traversières, 2 Hautbois, 2 Clar [Partition]
Carus Verlag
Florentiner Sinfonie'. Par RHEINBERGER JOSEF GABRIEL. Rheinberger began work on his second Symphony during his visit to Italy with his wife in 1874. He was commissioned to write it by an orchestral society in Florence – an indication that his reputation had already spread throughout Europe. The autograph score contains a poem by his wife Fanny, which in four sections expressed the moods of impress…
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Requiem Op. 89 Choeur (DVORAK ANTONIN)
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Requiem Op. 89 Choeur (DVORAK ANTONIN)
Chorale [Partition]
Breitkopf & Härtel
Par DVORAK ANTONIN. The profound impression it makes on us is due in part to the sequence of variations on a death motif that seems to have been borrowed from the beginning of the second Kyrie from Bach's Mass in B minor. Written in 1890, it was commissioned by the publisher Novello for the Birmingham Music Festival and premiered there under the direction of the composer on 9 October 1891. For thi…
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Tout Un Monde Lointain (DUTILLEUX HENRI)
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Tout Un Monde Lointain (DUTILLEUX HENRI)
Violoncelle, Orchestre
Heugel
Par DUTILLEUX HENRI. Henri Dutilleux (1916-2013) was greatly influenced by his contemporaries, Ravel, Debussy and Roussel, yet implemented his own, unique style. His Cello Concerto, Tout Un Monde Lontain is considered to be one of the most important 20th century additions to the instrument's repertoire. This Dutilleux Concerto comprises five movements which run seamlessly in to one-another, each i…
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Concerto En Ut Mineur
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Concerto En Ut Mineur
Violoncelle, Piano
Salabert
This Concerto en Ut mineur for cello and piano was first published in 1947 by Editions Salabert, being attributed to Johann Christian Bach with harmonization by Henri Casadesus. Certain musicological studies after its publication proved that the Concerto should not have been attributed to Johann Christian Bach after all, as it had actually been composed 'in the style of Bach? some two centuries la…
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Der Harmonische Gottesdienst (TELEMANN GEORG PHILIPP)
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Der Harmonische Gottesdienst (TELEMANN GEORG PHILIPP)
Hohe Stimme, Melodie-Instrument und Basso continuo [Conducteur et Parties séparées]
Barenreiter
Par TELEMANN GEORG PHILIPP. 72 Solo Cantatas for Voice, Melodic Instrument and Basso continuo. Advent & Christmas - High Voice. When Telemann issued his first annual cycle of printed cantatas, Der Harmonische Gottesdienst (Hamburg, 1725-6), he was already one of the leading cantata composers of his time. Thanks to their brevity and their simple scoring, the 72 solo cantatas have remained very popu…
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Süßer Trost, Mein Jesus Kömmt (BACH JOHANN SEBASTIAN)
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Süßer Trost, Mein Jesus Kömmt (BACH JOHANN SEBASTIAN)
Solistes SATB, Choeur SATB, Flûte Traversière, Ins [Partition]
Carus Verlag
Kantate Zum 3. Weihnachtsfesttag (Urfassung). Par BACH JOHANN SEBASTIAN. Bach’s cantata BWV 151, whose wonderfully heartfelt opening aria has been rightly numbered among Bach’s “most inspired ideas” [Alfred Dürr], was composed for the 3rd day of Christmas 1725. Flute and oboe d’amore lend pastoral coloring to the chamber music sound picture. The oboe d’amore was not originally included in Bach’s s…
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60 Country Dance Tunes 1786-1800 (HUTCHINSON PAUL)
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60 Country Dance Tunes 1786-1800 (HUTCHINSON PAUL)
Tous Les Instruments
Faber Music Limited
Par HUTCHINSON PAUL. Sixty Country Dance Tunes 1786-1800 is a collection of rediscovered folk tunes, made available for the first time since the end of the eighteenth century. Consultant editor and renowned folk musician Paul Hutchinson has curated this edition, bringing together the following original publications: - Twenty Four Country Dances for the Year 1786 - Cahusac's Annual Collection of Tw…
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Missa In Angustiis - Nelson-Messe (HAYDN FRANZ JOSEF)
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Missa In Angustiis - Nelson-Messe (HAYDN FRANZ JOSEF)
SATB, Choeur Mixte à 4 Voix et Orchestre [Partition]
Barenreiter
Nelson Mass. Par HAYDN FRANZ JOSEF. The so-called “Nelson Mass” is the third of the six great High Masses that Haydn wrote between 1796 and 1802 for the name-days of Princess Maria Josepha Hermenegild Esterházy. According to the dates given in the autograph he composed the work in the period between 10 July and 31 August 1798. It was thus written in the year of the first performance of the Creatio…
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