Par GLUCK CHRISTOPH WILLIBALD. Gluck Iphigénie en Aulide (Vocal Score) Tragedy - Opera in three acts Iphigénie en Aulide is the first of six operas that Gluck composed for the Académie Royale de Musique. In keeping with his plans for operatic reform, he sought to create noble, expressive and natural melodies that did justice to every language and every national spirit while eliminating the “ridic…

The Path to Mastery and Individuality (For All Instruments). Imagine if you could HEAR a musical phrase, VISUALIZE its layout on your instrument by seeing and feeling the fingerings and/or embouchure in your mind's eye, KNOW the names of the notes as well as the degrees of the key and FEEL the dynamics you want to include. All simultaneously, in a millisecond, and without moving a muscle ... and i…

Salsa Music Styles for the Classroom & Beyond-Hola Amigos! Experience authentic music styles of the Afro-Spanish-Caribbean by Puerto Rican-born author & bi-lingual educator Alejandro Jimenez. Connect with educational philosophies and cultural backgrounds of the SpanishCaribbean to understand how they influenced the music of that area. Learn how song dance rhythmic instruments and drama all come…

Par TELEMANN GEORG PHILIPP. Twelve Fantasias for treble Recorder solo based on the fantasias for flauto traverso solo TWV 40:2-13. This arrangement of Telemann 's ; Twelve Fantasias for treble Recorder is based on our edition for solo flute BA2971. With the exception of Nos 4, 5 & 12 which were transposed up a fourth for the Recorder, all other fantasias are transposed up a third following a techn…

'What's important in music that's based on a poem - on the emotion inspired by a poem - is the music and power of emotion it harbours within itself?. These words, written in 1949 by poet Pierre Reverdy, would make a deep impression on composer Betsy Jolas. She'd just sent the writer her Six mélodies for mezzo-soprano and piano composed on poems from his masterwork Plupart du temps. The songs were …

A Collection of all Arrieta's theory lessons. Arrieta was Director of the Conservatorio de Musica y Declamacion (Madrid) from 1868 and these lessons have been used to sight read in exams and contests of this music conservatory. These lessons are presented in five hand written notebooks this being the second one.

The power of this bright fanfare reflects the optimism joy and commitment to tradition that the people of the Italian town of Schlanders have deep within their souls. The golden trumpets from the valleys of South Tyrol echo across the mountains onboth sides of the Austrian-Italian border and help to convey the composers message: just as the sun shines on all parts of the world music knows no bou…

Specifically selected from the No Music Group? No Problem! series a booklet is included containing all the words for the songs on the CD.No organist? No problem! High-quality CD accompaniments for 200of the most popular hymnsJust slip the CD into your CD player or PA systemTraditional hymns have organ accompaniment modern hymns are accompanied by music group instrumentsNo music group? Noproblem…

This book is designed to help saxophonists develop fluency in the jazz language by providing mainstream jazz vocabulary (swing/bop/post-bop) that nails the changes and lays great on the horn. Think of Hip Licks for Saxophone Volume 2 as a musical reference book, like a dictionary of great licks in all twelve keys, available when you need it. You can open the book to any page and just start pla…