| Early Italian Keyboard Music Piano seul [Partition] Dover Publications
This outstanding collection brings together forty-nine of the finest keyboard works by major Italian composers of the 17th and 18th centuries. With works by Frescobaldi, Scarlatti, Martini and others arranged for piano solo or other keyboard instruments. The beautiful melodies, flowing elegance and charm of these pieces will leave you uplifted and energised. 49 works arranged for Solo piano./ Recu…
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| Thais Meditation Flûte Et Piano (MASSENET JULES) Flûte traversière et Piano [Partition] Heugel
Par MASSENET JULES. The instantly recognisable and ever-popular Meditation, from the opera Thaï s by Jules Massenet (1842-1912), remains a strong favourite in the classical repertoire, superbly arranged for Flute and Piano by French flautist, Paul Taffanel. Massenet first studied music with his mother before entering the Paris Conservatoire. He is best known for his operas, of which he composed ov…
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| Quatuor (BACEWICZ GRAZYNA) Quatuor à cordes: 2 violons, alto, violoncelle PWM (Polskie Wydawnictwo Muzyczne)
Par BACEWICZ GRAZYNA. Studying the sketches for works which a composer considers to be finished, perfected, is a fascinating activity. It enables one to penetrate the secrets of creative work, to compare the initial outline of a composition with its final version. A sketch is generally left untitled, but it does occur that a composer enhances the status of such a draft by giving it a title, before…
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| Violinkonzert (MOZART WOLFGANG AMADEUS) Orchestre, Violon [Partition] Barenreiter
Par MOZART WOLFGANG AMADEUS. Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain…
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| Altra voce (BERIO LUCIANO) Flûte Alto, Mezzo-Soprano et Live Electronics Universal Edition
Par BERIO LUCIANO. From Berio's program notes: 'In one episode, namely Il Campo (The Field), from my azione musicale Cronaca del Luogo, there is a virtual love duet. Two voices and several instruments 'fall in love' and follow one another in a constantly renewing relationship. As we all know, in true polyphony each voice contributes to the whole yet retains its own identity, if not complete autono…
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| Konzert In D Für Violine Und Orchester 'Nr. 4' (MOZART WOLFGANG AMADEUS) Orchestre, Violon [Partition] Barenreiter
for Violin and Orchestra. Par MOZART WOLFGANG AMADEUS. Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of the five concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish …
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| Suite Op. 82 (SCHLEE THOMAS DANIEL) Violon et Piano [Partition] Barenreiter
Par SCHLEE THOMAS DANIEL. A suite whose movements always deliver something other than what they seem to promise. But throughout, the two instruments and respectively their players act like two people in very specific situations:
I.: The opening movement is reserved for the piano; the initially earnest, solitary cantilena intensifies creating expectation. Suddenly
II.: the violin sounds. Its movin…
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| Le Rossignol Eperdu (HAHN REYNALDO) Piano seul [Partition] Heugel
Par HAHN REYNALDO. Having been considered as a 'fashionable' and 'cliche' composer of his day, Hahn was best known for his contributions to the French Melodie, however his other works have never gone amiss. His Le Rossignol Eperdu Poèmes for Piano represents the engaging diversity of the composer's music. Venezuelan born Reynaldo Hahn (1875-1947) entered the Paris Conservatoire at 10 years old. He…
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| PINK FLOYD - PIANO SHEET MUSIC ANTHOLOGY Piano, Voix et Guitare Hal Leonard
Les fans de Pink Floyd qui jouent du piano savent que certaines chansons du groupe lgendaire sont particulirement bien adaptes pour tre joues sur des instruments clavier. Il s'agit notamment de The Great Gig in the Sky, High Hopes, Nobody Home, et bien d'autres encore - et elles sont toutes runies dans cette anthologie de partitions collectionner. Vous trouverez galement une varit de hits les pl…
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| Symphony in E-flat Major Hob I:22 Orchestre [Conducteur] Bärenreiter
Der Philosoph. Par HAYDN JOSEPH. Joseph Haydn wrote Symphony No. 22 in E-flat major in 1764 as part of his tenure as Vice-Kapellmeister at the Esterházy court. The work is unique because of its instrumentation with two cors anglais: this instrument, which Haydn had used in some divertimenti from around 1760 onwards, does not appear in any of his other symphonies – or indeed in those by other compo…
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| Symphony in E-flat Major Hob I:22 2 Cors, 2 Cors anglais Bärenreiter
Der Philosoph. Par HAYDN JOSEPH. Joseph Haydn wrote Symphony No. 22 in E-flat major in 1764 as part of his tenure as Vice-Kapellmeister at the Esterházy court. The work is unique because of its instrumentation with two cors anglais: this instrument, which Haydn had used in some divertimenti from around 1760 onwards, does not appear in any of his other symphonies – or indeed in those by other compo…
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| Klar/Obskur (SCHWEITZER BENJAMIN) Hautbois, Basson et Piano [Conducteur] Schott
Par SCHWEITZER BENJAMIN. The chiaroscuro-technique developed by painters of the Italian renaissance served to intensify contrasts and effects of optical depth. In Klar/Obskur, I tried to transfer the general idea of this technique on the rather unusual instrumentation of two double-reed woodwinds and piano. On the one hand, a clear, well articulated playing is characteristic for these instruments,…
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