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Resultats de recherche : Into the Unknown - Eb Instrument - Ligne De Mlodie%2C %28Paroles%29 et Accords

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24 partitions trouvées
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Sonatas In F Minor And E-Flat Major For Violin And Piano
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2 vendeurs
Sonatas In F Minor And E-Flat Major For Violin And Piano
Violon et Piano
Barenreiter
Brahms had already announced his ?retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld's much admired playing and inspired him to write two clarinet sonatas in the summer of the same year. Brahms conceived an alternate version of the works…
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Lucia di Lammermoor (DONIZETTI GAETANO)
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Lucia di Lammermoor (DONIZETTI GAETANO)
Orchestre
Ricordi
Edizione critica a cura di Gabriele Dotto e Roger Parker (Vol. 1: XLIV, Vol. 2: VIII). Par DONIZETTI GAETANO. Gaetano Donizetti’s Lucia di Lammermoor, written to a libretto by Salvadore Cammarano, was first performed at the Teatro di San Carlo in Naples on 26 September 1835. It has remained in the repertory without interruption as one of Donizetti’s most popular operas throughout its nearly 200-ye…
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Concerto Da Camera H 285 / Rhapsody-Concerto H 337 (MARTINU BOHUSLAV)
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Concerto Da Camera H 285 / Rhapsody-Concerto H 337 (MARTINU BOHUSLAV)
Conducteur [Partition]
Barenreiter
Couverture Rigide. Par MARTINU BOHUSLAV. Replaces H 277 The two concertos contained in this volume represent two different stylistic periods within Martinu's work. The 'Concerto da Camera” (1941) is the last of his works inspired by the Baroque concerto grosso. The 'Rhapsody-Concerto”, composed eleven years later (1952), was the first work of his so-called 'fantasia period”, marked by a more open …
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 Farkas Ferenc - Early Hungarian Dances - Score
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Farkas Ferenc - Early Hungarian Dances - Score
Hal Leonard
The composer wrote of his work as follows: In the music of Hungary, folk songs are manifestly of great importance, on the other hand our ancient airs and dances play a modest role. For this work I have been influenced by dances of the 17th century, written by unknown amateurs in a relatively simple style. Most of these dances were recorded between the 14th and 18th centuries under the usual form …
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