Symphonie-Kantate. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ‘Everything which has breath, Praise the Lord’; one und…

Symphonie-Kantate. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ‘Everything which has breath, Praise the Lord’; one und…

Symphonie-Kantate. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ‘Everything which has breath, Praise the Lord’; one und…

Symphonie-Kantate. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ‘Everything which has breath, Praise the Lord’; one und…

Symphonie-Kantate. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ‘Everything which has breath, Praise the Lord’; one und…

Reduction Of Score. Par CORDERO ERNESTO. La johnstonei Concierto par Ernesto Cordero est salué comme l'un des plus beaux concertos écrites pour guitare et orchestre de chambre. Il intègre efficacement divers éléments interculturelles des grandes Antilles. Il s'agit de l'île-nations parlant espagnols de Cuba, de Porto Rico et de République dominicaine. Un artiste doit souvent une réduction du score…

Ten Golden Oldies in easy to intermediate-level arrangements. Par DIVERS AUTEURS (ARR.RAE JAMES). You Must Remember This… is a collection for clarinetists of ten of the world's most well-known and loved melodies. Arranged by James Rae with the elementary to middle-grade clarinet player in mind, these favourites from yesteryear will stir memories for many and delight all. All pieces are set in comf…

Croquis de Brahms de son ' Vier Ernste Gesänge ' suggère la possibilité d'orchestration. ' Detlev Glanert a pris cette suggestion et développée encore davantage. Il a orchestré les chansons pour orchestre, comme l'exigeaient de Brahms pour ses symphonies, leur encadrement par préludes et un court postlude. L'orchestration s'étend et différencie de l'espace sonore dans laquelle les chansons se dépl…

Cello Time Starters is a great beginner book for the budding cellist. Carefully paced to suit young learners, it supports players through the important early stages, step by step-from how to hold your instrument and bow, through basic notation, to exciting pieces in a range of styles. With plenty of entertaining illustrations and a CD to play along to, with Cello Time it really is fun to play! / V…

Par VAN DER ROOST JAN. This suite was composed by Jan Van der Roost on the occasion of the 110th anniversary of the ‘Koninklijke Sint Martinusfanfare’ (Royal Saint Martinus Fanfare Band) from Halle (Belgium). The composer was required to create a suite in three movements based on three images associated with the ‘Sint Martinusfanfare’ from the small town of Halle in the province of Brabant. The fi…