Par BUXTEHUDE DIETRICH. This setting of Luther’s hymn perfectly typifies the basic concept of a chorale cantata as Buxtehude probably envisaged it. The first two verses are set, line by line, in a four-part homophonic texture. The two violins add interludes to the chorale, and lead in a kind of ritornello to the next verse. In the third and last verse Buxtehude departs from this model as the violi…

Par JOLLIFFE EDMUND. Although the English madrigal has been fairly described by John Rutter as a completed historical form, its younger sibling the partsong still flourishes in the hands of sympathetic composers like Edmund Jolliffe, who can clothe secular texts with music a cappella that fits their sentiments like a glove. In fact John Donne 's verse, though of a later period, receives a setting …

Ed. Critica M. Talbot - Riduzione Per Canto E Pianoforte Di A. Frigé. Par VIVALDI ANTONIO. RV 588 is Vivaldi’s ‘other’ Gloria, a composition having many parallels with Vivaldi’s better-known setting of the same text (RV 589). It dates similarly from the period 1713-1717, when the composer was acting choirmaster at the Ospedale della Pietà in Venice. It even borrows from the same work, a slightly e…

Plus de 430 pages des airs par l'Europe 100 plus grands compositeurs de jazz. 100 % exactes approuvé par le compositeur graphiques, manuscrit facile à lire, tune grande sélection et plusieurs fonctionnalités supplémentaires comme lignes de basse échantillon, voicings de corde, rhythm section hits, annexe de tambour harmonie partsxtensive, etc.. Les fichiers MP3 en continu de plus des deux tiers de…

Solo Für Trompeten. Par HUTTER ERNST. Dieses Bravourstück komponierte Ernst Hutter für seine vier Solotrompeter. Am Ende eines ruhigen, sehr melodiösen ersten Teiles schrauben sich die ersten beiden Solopartien in einer Solokadenz gewissermaßen wie Sterne in den klaren Himmel hinauf, unterstützt durch volle Akkorde des gesamten Blasorchesters. Nach einem Tempowechsel des Schlagzeugs bereitet das g…

Jay's particularly folky accompaniment features a jaunty piano with optional bass and percussion (available free at alfred.com/choralparts). Fully arranged with new harmonic and rhythmic content on each subsequent verse. Rollicking and fun, 'doo-dah day!' / Choeur SAB

Par MANTOVANI BRUNO. After Eclair de lune for three principal snare drums, three ensembles and electronics, and after my Concerto for two violas written for Tabea Zimmermann and Antoine Tamestit, I felt compelled to compose a new work for double soloist, and ended up choosing the piano. First of all from a desire to write for Varduhi Yeritsyan and François-Frédéric Guy, but also because the confro…

Par SCHUMANN ROBERT. Male voices. 3-7Parts -/ Répertoire / Travaux Pour Choeurs

Jay's particularly folky accompaniment features a jaunty piano with optional bass and percussion (available free at alfred.com/choralparts). Fully arranged with new harmonic and rhythmic content on each subsequent verse. Rollicking and fun, 'doo-dah day!' / Tenor Et Baryton