for Cello and Piano, Violin, Cello and Piano, Flute and Piano. Par CHOPIN FREDERIC / PADEREWSKI. Chopin's works for piano and strings were usually made for a specific occasion, and we owe their existence to the repertoire needs of specific individuals. The exception is the Sonata in G minor for cello, the last work by the composer intended for publication, a work reflecting his current style, high…

Ten Pieces For Alto Saxophone and Piano. Par THOMYS. For ABRSM examinations grades 7 & 8 for Alto or Baritone Saxophone. / Répertoire d'Examen / Répertoire / Saxophone en Mib et Piano

Par KILAR WOJCIECH. / Répertoire / Quatuor à Cordes

Par LUKASZEWSKI PAWEL. In 2012, at the initiative of Pawel Wojciechowski, Pawel Lukaszewski composed Aria for cello and piano. The work was soon published, and a few years later further versions appeared for other solo instruments: soprano saxophone, alto saxophone, viola and violin. The composer wrote the original version for cello with his son Wojtek in mind, who had just completed his fourth ye…

Par ROZYCKI LUDOMIR. The second volume of Ludomir Rózycki's Selection of songs for voice and piano contains nine pieces: Six songs to words by Tadeusz Micinski, op. 16, from the early period of the composer's work, and three songs composed during the German occupation: Ballade op. 60 to words by Adam Asnyk, Kurant to words by Kazimierz Laskowski and Lullaby (A... a... two cats) to the traditional …

/ Recueil / Piano

Par FORTUNATOV K.. / Etude / Violon

Complete Works XIV. Par CHOPIN FREDERIC / PADEREWSKI. cz w sobie dwa ywio y: czystej gry i pe nej wyrazu poetyki. Wirtuozeri i romantyczno. B yskotliwo pianistyczna, wykszta cona w utworach w stylu brillant, zosta a w nich doprowadzona do perfekcji, lecz zarazem – po egnana. Oba stanowi bezpo redni wyraz osobowo ci kompozytora, która objawi a si w nich po raz pierwszy z tak wielk si i skonkretyzow…

Par KOLBUSZ ALEKSANDRA. Long before writing Passalega, I harboured the idea of creating some form of organically homogeneous chain of musical tensions evolving ever more distinctly into a musical utterance, although still indeterminate in terms of pitch. The tissues forming the chain of those tensions were of relatively simple design, yet in spite of this ? or perhaps because of it ? they were inc…

Par MOZART / LEWANDOWSKI. / Répertoire / Violon et Piano