Op. 45 No. 3. Par DVORAK ANTONIN. Dvorák composed his 'Slavonic Rhapsodies? op. 45 in 1878, initiating his so-called 'Slavonic period?. They were issued by the publisher Simrock the following year as three independent orchestral pieces (in D major, G minor and A-flat major) appearing under the same opus number. Now the 'Slavonic Rhapsodies? are being issued separately in scholarly-critical editio…

Par AL PETTEWAY. Master guitarist Al Petteway ventures into new territory with 15 Celtic-inspired, traditional, and New Age fingerstyle compositions in standard and alternate tunings. Derived from Al's award-winning solo recording of the same title, each piece bears the inimitable Petteway signature of profoundly graceful, inspired innovation. Written in standard notation and tab with several piec…

for Wind Orchestra, Additional European Parts. Par CESARINI FRANCO. Fascinated by the beauty of Chicago, Franco Cesarini has translated his emotions into music: this is how Symphony No. 3 “Urban Landscapes” Op. 55, was born, a musical portrait of this metropolis overlooking Lake Michigan. The composition is divided into three movements: The Wrigley Building from Dawn to Noon, Blue Silhouette and …

The 4 Chord Songbook: Favourite Hits allows you to play 17 great songs using the same 4 chords! G, A, C, D. / Guitare

Par BRIDGE FRANK. Frank Bridge was one of the finest English composers of the first half of the 20th century. The Pageant of London is his only work for wind band, comprising of two marches, one scored from Bridge’s best known organ piece and including the chimes ofBig Ben, plus three short renaissance pastiche items, one arranged from Playford (later used by Peter Warlock in Capriol Suite). The m…

Of Noblest Cities is intended for a choir of between 12 and about 40 voices, although it may also be given by just six singers, one to a part (SSATBB). The piece can be performed unaccompanied, if no suitable organ is available, simply by leaving approximately two crotchet beats of silence between the end of the last note of one verse and the beginning of the next. Underlying the melody is a simpl…

C-Dur. Par MOZART WOLFGANG AMADEUS. Leopold Mozart described KV 262, unlike Mozart's considerably shorter masses of the same period, as a 'Missa longa'. The prolixity of some of the movements and of concluding fugues in the 'Gloria' and 'Credo' is indeed surprising. The full orchestral scoring also emphasizes the ceremonial character of this Mass. / Messe / Répertoire / Solistes SATB, Choeur SATB…

Par SMITH GAIL. Scales are easy and fun when you play them in many different ways including canon, triplet, split, contrary direction and various other ways you may not have tried before. Five finger scales are presented in an unusual format classified by how many black notes are in them. Then the ten easiest scales using the same fingerings are presented. Eventually, all the scales are presented …

Par RAMEAU JEAN-PHILIPPE. Rameau’s only extant opera based on a libretto by Voltaire has come down to us in two versions (1745 and 1746), that of 1745 having long been regarded as lost. Volume IV.12 of the “Opera omnia Rameau” now provides a complete edition for the first time and thus the means to perform both versions. Voltaire refers to Metastasio in his libretto, in that he wanted to liberate …

This amazing collection transcribes nearly 150 of the best-known jazz solos (regardless of the instrument) exactly as recorded by icons of the trade, including: After You've Gone Airegin All The Things You Are Almost Like Being In Love Anthropology Autumn Leaves Back To The Land Before You Go Belem Bernie's Tune Bésame Mucho (Kiss Me Much) Billy Boy Birk's W…