Summerly Jeremy (Editor). Par SUMMERLY JEREMY. This substantial collection of medieval songs and carols for Upper Voices is a perfect introduction to the treasures of an extraordinary and colourful musical period, progressing from Celebration and Victory to Christmas via Spring, Annunciation and Passion. Containing the well-known Gaudete Ghristus Est Natus , Agincourt Carol and There Is No Rose as…

Arranged and adapted by Andrea Cappellari
Include Backing Tracks CD.

Lyrics included. These eight great time-tested standards span over 75 years of American popular music and were favorites with every prominent big band and combo from the 20?s to the 40?s. Artists as diverse as Eubie Blake and John Coltrane have enjoyed and performed these classics in their own style, proof of their unending flexibility and popularity. Rhythm section is Hal Galper, piano; Steve Gil…

for four male voices. Par BRYARS GAVIN. Glorious Hill may be performed by a male choir. Text by Pico della Mirandola (1463-1497) from De Hominis Dignitate. Glorious Hill was commissioned by the Hilliard Ensemble and first performed by them at its summer Festival of Voices in Lewes, Sussex, in August 1988. It was the first piece I wrote for the ensemble and I focused on the singers' unique abilit…

Description Pat Metheny Songbook A complete collection of Pat Metheny's work, which features 167 compositions spanning the guitarist's 25 year career. Songlist A Map Of The World Across The Sky Airstream Always And Forever American Garage And Then I Knew Antonia April Joy April Wind Are You Going With Me? As A Flower Blossoms As I Am Ballad Z Barcarole Beat 70 Better Days Ahead Bright Size…

Sumer is icumen in. Par ORFF CARL. The first known canon of European art music, now in the British Museum in London, is preserved in a thirteenth-century manusript from the English abbey in Reading: This is the so-called 'summer canon', whose verses greet the advent of summer. An accompanying note elucidates the artistic layer-like construction of the sound structure: a two-voice foundation of bel…

After a twelve-year interval, Dvo?ák once again turned his attention to the string quartet in summer 1893. He had been musical director in New York since autumn 1892 and spent the summer in Spillville (Iowa) where a group of Czech immigrants had settled, thus making him feel at home. The beautiful natural surroundings led him to write this unconventional string quartet in the tradition of Beethove…