Par DUPARC HENRI. We know Henri Duparc for only a small number of art songs he composed between 1868 and 1884, but his musical legacy is a rare one. Settings of works by Baudelaire, Leconte de Lisle, are masterworks of sensuous beauty, rich in emotion, artfully conveying the poetic atmosphere of their texts. Included in this one volume are all Sixteen songs and one duet, reprinted from authoritati…

Ed. Critica Di C. Bacciagaluppi - Riduzione Per Canto E Pianoforte. Par PERGOLESI GIOVANNI BATTISTA. Pergolesi wrote his Mass in D major for an unknown occasion. The composition however is similar in quality and commitment to his other Mass in F major. Numerous manuscript copies all over Europe testify to the fortunate reception of the work in the eighteenth century. As was traditional in Naples, …

Par SCHUBERT FRANZ. Working from urtext sources, which have few or no markings, the editor has added fingering, dynamics, articulations, expression marks, and even tempo/ character markings to aid musical interpretation and performance. These are lively and articulate Viennese waltzes, generally twice as fast as other types of waltzes. Any waltz from this set may be played individually, or several…

As a continuation of the new Urtext edition of the Schubert lieder, Walther Dürr has now edited volume five for high, medium and low voices. Volumes 1 to 4 of this edition contain mainly lieder which Schubert himself saw into print (in his own choice and order) and in the fourth volume works from the last two years of his life are included. The lieder in volume 5 onwards are strictly presented in …

Choralkantate. Par HERZOGENBERG HEINRICH VON. Reprint of the first edition. Friedrich Spitta recommended to Herzogenberg that he set Gerhard Tersteegen’s text “Gott ist Gegenwärtig” on the occasion of that poet’s 200th birthday. Besides the obbligato organ, Herzogenberg restricted the instrumentation to strings, two trumpets, three trombones and timpani, and thus achieved a majestic quality which …

We live in a world of endless Guitar shredding, players tearing up down and across the fret board at mind boggling speeds. There comes a certain excitement and respect for this ability but sometimes one wonders what ever happened to the classic tasty lick of days gone by. Guitar players would catch your ear with beautiful melodic phrases that would have you reaching for your handkerchief.I have en…

Critical edition by Michael Talbot. The vast majority of violin sonatas from Vivaldi's time, including those of Vivaldi himself, have come down to us in the form of a score employing two staves: one for violin, and one for bass. This guarantees that, although portions of the work may be missing, what survives is textually complete. Exceptionally, five of Vivaldi's violin sonatas are preserved sole…

Choralkantate. Par HERZOGENBERG HEINRICH VON. Reprint of the first edition. Friedrich Spitta recommended to Herzogenberg that he set Gerhard Tersteegen’s text “Gott ist Gegenwärtig” on the occasion of that poet’s 200th birthday. Besides the obbligato organ, Herzogenberg restricted the instrumentation to strings, two trumpets, three trombones and timpani, and thus achieved a majestic quality which …

Choralkantate. Par HERZOGENBERG HEINRICH VON. Reprint of the first edition. Friedrich Spitta recommended to Herzogenberg that he set Gerhard Tersteegen’s text “Gott ist Gegenwärtig” on the occasion of that poet’s 200th birthday. Besides the obbligato organ, Herzogenberg restricted the instrumentation to strings, two trumpets, three trombones and timpani, and thus achieved a majestic quality which …

Par BRITTEN BENJAMIN. The Oxen is a lamenting poem of Thomas Hardy's set to music by esteemed composer Benjamin Britten, arranged for upper voices with piano accompaniment.   / Choral Music / Répertoire / Voix Hautes et Piano