c-Moll. Par BUXTEHUDE DIETRICH. Tonalité : c-Moll - Horn, Paul (Arr.) - McCulloch, Derek (Trad.) - BuxWV 34 / Date parution : 1990-01-01/ Répertoire / Solistes SSB (Solo B + Choeur soli ou AuswahlChoeu

c-Moll. Par BUXTEHUDE DIETRICH. Tonalité : c-Moll - Horn, Paul (Arr.) - McCulloch, Derek (Trad.) - BuxWV 34 / Date parution : 1905-05-21/ Répertoire / Solistes SSB (Solo B + Choeur soli ou AuswahlChoeu

c-Moll. Par BUXTEHUDE DIETRICH. Tonalité : c-Moll - Horn, Paul (Arr.) - McCulloch, Derek (Trad.) - BuxWV 34 / Date parution : 1990-01-01/ Répertoire / Solistes SSB (Solo B + Choeur soli ou AuswahlChoeu

Par . Les 6 Symphonies op. 6 sont composées en 1762 alors que Gossec est intendant de la musique chez les princes de Condé et de Conti. La troisième, en do mineur, comporte trois mouvements, coupe caractéristique des trois-quarts des symphonies de cette époque : allegro, minuetto grazioso et fugato. L’orchestration est typique des premières symphonies de Haydn (pupitre de vents réduit à deux hautb…

Fingerings, scales and triads. Par DEZAIRE NICO. Position 1 couvre les quatre doigtés de la première position et examine le rapport entre ces doigtés et les différentes tonalités - jusquà trois dièses ou bémols. Cet ouvrage contient 38 exercices pour les divers doigtés, 7exercices de gammes et de triades, et 68 morceaux de concert dans une diversité de styles. Ces morceaux peuvent être exécutés av…

Part I-VI. Par EGGERT MORITZ. Hämmerklavier' is a full-length cyclical work. The composer tries casting off the straight-jacket of hide-bound musical traditions, sending the listener on a voyage of discovery and liberation. The 'Hämmer' of the title refers not to the action of the pianoforte nor to Beethoven’s 'Hammerklaviersonate' but to the mental approach required of the performer who needs to …

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…

Choralkantate. Par MENDELSSOHN-BARTHOLDY FELIX. During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach’s works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known c…