Mel Bay's premium-quality manuscript pads are produced with the same exacting standards as our more expensive manuscript products. Ninety- six tear-out pages are attached to a heavy cover sheet to assist in easier writing. All sheets are printed on both sides and punched for three-ring binders. Printed in black ink on regular-weight, white paper. 8.75 X 11.75 / All Styles - Manuscript / Recueil /…

Par . This little notebook is handsome as well as practical. The notebook has the same layout as our Urtext editions. The pages alternate with musical staves on the left and writing lines on the right. The superior quality of paper used for the notebook matches that of our fine Urtext editions. ?Bärenreiter Notes? serves ideally as: - A student lesson book - A general note book - A gift / Date pa…

Par MARTIN FRANK. Having considered writing a Requiem for many years, Martin finally became obsessed with its creation only shortly before his own death. A Calvinist Protestant, he had turned to Roman Catholic texts earlier (as in his Mass of 1922-1924), but was now taken with the Requiem setting, in order to 'accept death, to make peace with it, to view it straight on with all the fears... that i…

Requiem. Par SUPPE FRANZ VON. Franz Suppè wrote his Requiem not as a humanistic or pantheistic lament for the dead, but as a work created on the basis of firm Christian and Catholic faith. The fact that Suppè succeeded in writing a Requiem which remains within the theological-liturgical bounds without sacrificing the values of an autonomous work of art is perhaps the greatest - although hitherto u…

Par XIAO XINZHOU. Duet for Clarinet and Piano 'Subconscioius light' by XIAO Xinzhou. From the composer: 'The word 'subconscious' came from the book 'The Aesthetic Unconsciousness' by Jacques Rancière. The 'light' of this piece comes from an accidental feeling that I try to grasp but is elusive... It seems that neither 'subconscious' nor 'light' can directly feel its concrete existence in music, an…

Description
Écrits des castrats sur le chant, volume 2
L?art des castrats repose sur peu de documents imprimés à caractère technique (méthodes, traités). La fameuse « feuille » de Porpora (bref recueil d?exercices censés mener à une haute maîtrise) reste inconnue, même si une édition anglaise tardive clame le contraire. Seuls subsistent de nombreux solfeggi manucrits, composés par les ma…

The three volumes of The Masterwork in Music present complete English translations of major works by Austrian music theorist Heinrich Schenker, one of the twentieth century's leading figures in the field. First published in German between 1925 and 1930, these essays represent Schenker's greatest writings in analysis prior to the 1935 definitive formulation of his theory of music in Der freie Satz …

Robert Schumann's Kreisleriana for piano is a cycle of eight contrasting pieces composed in 1838. The work belongs to one of Schumann's most creative periods. It was influenced by the writings of author E. T. A. Hoffmann and was inspired by Schumann's love for his wife, Clara. The current edition has been thoroughly researched, with comparisons made between all early sources. The 1850 second editi…

Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad a…