| Miriam's Song (Band 2) Alto, Piano Furore Verlag
Sarah Feigin *1928: Reflections on a Niggun (1999) (6:05') Helene Liebmann 1795-nach 1835: Andante con Variation (7:06'). 3. Satz der Sonate op. 11 Die zweibändige Ausgabe unter dem Titel ?Miriam's Song' (Das Lied der Mirjam) ist jüdischen Komponistinnen des 19. und 20. Jahrhunderts gewidmet. Sie beinhaltet Viola-Bearbeitungen der Werke von Fanny Hensel geb. Mendelssohn, Vally Weigl, Lena Stein-Sc…
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| Sinfonia Concertante In Es Für Violine, Viola Und Orchester (MOZART WOLFGANG AMADEUS) Orchestre [Partition] Barenreiter
for Violin, Viola and Orchestra. Par MOZART WOLFGANG AMADEUS. There is no reference to the origin, occasion or a performance of the Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn, 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he …
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| Strangers In The Night (CAPPELLARI ANDREA) Orchestre d'harmonie Carisch
Cappellari Andrea (Arr). Par CAPPELLARI ANDREA. Arrangement and Orchestration by Andrea Cappellari. Full score and 24 parts: 1) C Instr. (Flute) / 1) Bb Instr. (Clarinet, Soprano Sax., Trumpet) / 2) C Instr. (Flute) / 2) Bb Instr. (Clarinet) / 3) C Instr. (Violin, Flute) / 3) Bb Instr. (Clarinet, Soprano Sax., Trumpet) / 4) C Instr. (Violin, Viola)Bb Instr. (Clarinet, Trumpet) / 5) C Instr. (Violi…
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| Sonatas Op. 120 For Clarinet And Piano Alto, Piano G. Henle
We owe a debt of gratitude to the clarinettist Richard Mühlfeld for making the elderly Brahms so interested in his instrument. In the 1890s the composer wrote the Trio op. 114, the Quintet op. 115 and the Sonatas op. 120 - three gems in the clarinet chamber music repertoire. Brahms also provided a part for viola as an alternative to the clarinet. The revision of our edition of the viola version of…
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| String Quartet - Youthful Work (BACEWICZ GRAZYNA) Quatuor à cordes: 2 violons, alto, violoncelle PWM (Polskie Wydawnictwo Muzyczne)
Par BACEWICZ GRAZYNA. Grazyna Bacewicz realised at a very early age that her main purpose in life was to compose music. Already during the 1920s, as a student of Lódz Conservatoire, as part of her lessons in harmony and counterpoint, she made attempts at composing, in which she tried to resolve nagging technical problems and impart an artistically satisfying form to them. She grew up in an atmosph…
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| Ouvertüre Zuruslan Und Ludmila- As 3Rd Movement To The Unfinished Sonata In D Minor Alto, Piano Hofmeister Musikverlag
The music of Glinka's Ouverture to his opera 'Ruslan and Ludmila? is presented as arrangement for viola and piano by Diemut Poppen here. It is a sparkling virtuos little piece for viola and piano in D major that should be played as a last movement to Glinka's Sonata for Viola in d minor but can also be performed separately. / Alto Et Piano
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| Violin, Viola And More (DIVERS AUTEURS (ARR) Violon, Violoncelle (duo) Universal Edition
10 Duets. Par DIVERS AUTEURS (ARR.IGUDESMAN ALEKSEY). Music by Aleksey Igudesman is now also available for viola players!
'Violin and Viola and more” features a selection of well-known pieces from his duet series ' and More' arranged for violin and viola in moderate difficulty.
The edition includes helpful remarks on background and characteristics of every piece. Thus, style-appropriate interpre…
26.40 EUR - Expédié par LMI-partitions Délais: 3-6 jours - En Stock |
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| String Time Starters Alto seul [Partition] Oxford University Press
23 Pieces For Flexible String Ensemble. 21 easy, characterful ensemble pieces, plus fun warm ups
Flexible scoring for violin, viola, cello, and double bass with piano or CD accompaniment - from duets in any combination to large ensembles
The level approximately corresponds to the Starters books for violin, viola, and cello - some parts use open strings only, some use open strings and first fingers…
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| Rêverie (WIENIAWSKI / KAMASA) Alto, Piano [Partition] PWM (Polskie Wydawnictwo Muzyczne)
Par WIENIAWSKI / KAMASA. In addition to the numerous violin pieces in H. Wieniawski's compositional output there is only one piee for viola and piano, ''Reverie'', which is without opus number. The ''Dream'' ost probably comes from that period when Wieniawski stayed in London (1858-1859) and, apart from his regular concert activities, took part in chamber concerts, which were very popular at that …
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| Schubert F. - Complete Chamber Music For Strings Quatuor à cordes: 2 violons, alto, violoncelle Dover Publications
QUINTET in C Major for 2 Violins, Viola and 2 Violoncellos, Op. 163 QUARTETS for 2 Violins, Viola and Violoncello N°1 N°2 in C Major N°3 in B-flat Major N°4 in C Major N°5 in B-flat Major N°6 in D Major N°7 in D Major N°8 in B-flat Major, Op. 168 N°9 in G Minor N°10 in E-flat Major, Op. 125 No. 1 N°11 in E Major, Op. 125 No. 2 N°12 (…
33.00 EUR - Expédié par Woodbrass Délais: Sur commande |
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| Hamlet Echoes - Soprano, Viola And Piano Schott
For soprano, viola and piano Text compiled by the composer Based on the original English text by William Shakespeare and the German translation by August Wilhelm Schlegel Partitur und Stimmen - P/ST - soprano, viola and piano - English - German composer: Jost, Christian text writer: Shakespeare, William translator: Schlegel, August Wilhelm 'Hamlet-Echos' comes from the full-length opera 'Hamlet'…
40.10 EUR - Expédié par Woodbrass Délais: Sur commande |
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| Piano quartet (1925-26, rev. 1935) (LEIVISKA HELVI) Piano Quatuor: piano, violon, alto, violoncelle Fennica Gehrman
Par LEIVISKA HELVI. Finnish composer Helvi Leiviskä (1902-1982) created a broad-based output of orchestral works, solo songs and chamber music. Her style could be described as moderate modernism, deriving influences from multiple sources such as late Romanticism, Symbolism, Expressionism, Existentialism and Neo-Classicism. Leiviskä's output is characterised by philosophical and religious themes, i…
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| Lehrplan Viola Alto seul [Partition] Bosse
Stand: November 1993. B. Hauptfächer/ Recueil / Alto
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| Twelve Fantasias for Viola da gamba without Bass (TELEMANN GEORG PHILIPP) Flûte traversière [Partition] Barenreiter
Arranged for Flute (TWV 40: 26-37). Par TELEMANN GEORG PHILIPP. Georg Philipp Telemann composed thirty-six fantasias for solo instrument: twelve each for traverse flute, violin, and viola da gamba. While those for flute and violin belong to Telemann?s most popular works today, the fantasias for viola da gamba were unknown throughout much of recent history until a copy of these fantasias was redisc…
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| 4 Visages N02 The Wisconsonian Alto Et Piano (MILHAUD DARIUS) Alto, Piano [Partition] Heugel
Par MILHAUD DARIUS. Second of the series of ; Four Faces by Darius Milhaud, II. The Wisconsonian is a short piece for Alto and Piano. Easy to play, it requires some technique of the instrument and some theory knowledge to read in different keys. The book includes the parts for Viola and Piano and for Viola only. The music is cheerful and quite fast, with the Viola part playing mainly semisquavers …
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| Laude Cortonese Vol. 3 (BRYARS GAVIN) Voix et Instruments [Conducteur] Schott
for voices and instruments. Par BRYARS GAVIN. Laude were short mediaeval devotional songs to the Virgin Mary, and Gavin Bryars has kept to the pure, lyrical style of the originals. Following the successful publication of Bryars’ first and second volume of laude, which singers around the world have added to their repertoire, this third volume for various combinations of soprano, tenor, viola, cello…
35.70 EUR - Expédié par LMI-partitions Délais: 3-6 jours - En Stock Fournisseur |
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| Huws Jones - The Really Easy Viola Book Faber Music Limited
Really Easy Viola Book (Instrumental Solo & Piano Accompaniment) Trinity College London selected pieces (Viola 2010-2012): Lazy Blue (Huws Jones) Rock-a-bye Rhino (Huws Jones) Viola d?amore (Huws Jones)
13.43 EUR - Expédié par Woodbrass Délais: 24 heures - En Stock |
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| Sonate Op. 147 (CHOSTAKOVITCH DIMITRI) Alto, Piano [Partition] Sikorski
Par CHOSTAKOVITCH DIMITRI. Shostakovich's last work, the Sonata For Viola And Piano Op. 147, is a superbly crafted Sonata in three movements with, unusually, a slow Adagio movement for the third. It was dedicated to the violist Fyodor Druzhinin, a professor of the Moscow Tchaikovsky Conservatory and a member of the Beethoven String Quartet, a renowned Moscow ensemble that played at the premieres o…
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