Violine Solo. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2) Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically…

Par NONAJ GJOVALIN. Ce recueil contient une sélection de mélodies composées par Gjovalin Nonaj, typiques de la musique folklorique des Balkans, adaptées pour le violon. Cette musique se caractérise par la richesse de ses variations mélodiques, en ce sens, elle se différencie de la plupart des styles de musiques occidentales. Energie, nostalgie, mélodie et sens du rythme... contribuent à former un…

Par ECCLES HENRY. Henry Eccles left behind a number of smaller works most of which were written for violins or flutes. However, the most famous is this Sonata in G minor. Though often played in transcription by violinists and especially by double bass players, the sonata was originally published for cello in four movements – Prelude, Courante, Sarabande and Gigue – accompanied by a figured bass. L…

Par SCHMITT HELMUT. Détails de la formation instrumentale: 1. Stimme in B (1. Klarinette, 1. Flügelhorn, 1. Trompete), 2. Stimme in B (2. Klarinette, 2. Flügelhorn, 2. Trompete), 3. Stimme in Es (Alt-Saxophon, Waldhorn, Alt-Horn), 3. Stimme in B (1. Tenor-Saxophon, Bass-Trompete, 1. Tenor-Horn, 1. Posaune), 3. Stimme in C (1. Fagott, 1. Posaune), 4. Stimme in B (2. Tenor-Soxophon, 2. Tenor-Horn, B…

Par SCHMITT HELMUT. Détails de la formation instrumentale: 1. Stimme in B (1. Klarinette, 1. Flügelhorn, 1. Trompete), 2. Stimme in B (2. Klarinette, 2. Flügelhorn, 2. Trompete), 3. Stimme in Es (Alt-Saxophon, Waldhorn, Alt-Horn), 3. Stimme in B (1. Tenor-Saxophon, Bass-Trompete, 1. Tenor-Horn, 1. Posaune), 3. Stimme in C (1. Fagott, 1. Posaune), 4. Stimme in B (2. Tenor-Soxophon, 2. Tenor-Horn, B…

Par SCHMITT HELMUT. Détails de la formation instrumentale: 1. Stimme in B (1. Klarinette, 1. Flügelhorn, 1. Trompete), 2. Stimme in B (2. Klarinette, 2. Flügelhorn, 2. Trompete), 3. Stimme in Es (Alt-Saxophon, Waldhorn, Alt-Horn), 3. Stimme in B (1. Tenor-Saxophon, Bass-Trompete, 1. Tenor-Horn, 1. Posaune), 3. Stimme in C (1. Fagott, 1. Posaune), 4. Stimme in B (2. Tenor-Soxophon, 2. Tenor-Horn, B…

Par BACH JOHANN SEBASTIAN /CIRONE ANTHONY J. Although many of the greatest composers from the Baroque, Classical, and Romantic periods did not write for marimba, their works are still available and are perfectly suited for this instrument. Many of these works were written for violin and contain bowings and fingerings that assist in the stylistic interpretation for violin but do not apply to marimb…

/ Violon Et Piano / 52 pages / Partition

Par CAPPELLARI ANDREA. Arrangement and Orchestration by Andrea Cappellari. Full score and 16 instrumentals parts : 1) C Instr. (Recorder) / 1) C Instr. (Flute, Violin) / 1) Bb Instr. (Clarinet, Soprano Sax, Trumpet) / 1) Eb Instr. (Alto Sax) / 2) C Instr. (Recorder) / 2) C Instr. (Flute, Violin, Oboe) / 2) Bb Instr. (Clarioprano Sax, Trumpet) / 2) Eb Instr. (Alto Sax) / 3) C Instr. (Violin, Viola)…