| Concerto For Two Oboes In C Major Op. 7 #11 2 Hautbois (duo) Kunzelmann
/ 2 Hautbois
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| Missa Nr. 9 In D (HEINICHEN JOHANN DAVID) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto …
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| Bach J.s. - Now My Soul Exalts The Lord Bwv 10 - Vocal Score Chorale SATB [Partition] Barenreiter
Bach, Johann Sebastian Now my soul exalts the Lord BWV 10 Cantata for the Feast of Visitation B. V. M. With his cantata 'Meine Seel erhebt den Herren' which Bach composed for the Visitation of Mary (2 July), he created a Magnificat setting of a different kind: The German text source is a combination of biblical text and a free interpretation, the basis being the Marian hymn of praise from the Gos…
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| Divertimento G Major Hob. II:9 For 2 Oboes, 2 Horns, 2 Violins, 2 Violas And Basso Continuo Orchestre G. Henle
/ Musique De Chambre Avec Instruments A Vent
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| 15 Great Christmas Songs Walhall
for 1-2 instruments (violins, recorders, flutes, oboes, trumpets in C) and piano (guitar), voices ad lib., arranged and edited by Dagmar Wilgo and Nico Oberbanscheidt. Unknown, yet very beautiful Christmas songs from off the beaten path that are well suited for integration. Small surprises from Belgium, England, Greece, Luxemburg, Latvia, Lithuania, Malta, the Netherlands, Poland, Rumania, Russia,…
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| Audi Filia Vocal Score (SCARLATTI DOMENICO) Conducteur [Partition] Novello & Co Ltd.
Par SCARLATTI DOMENICO. Audi Filia was written for the celebrations for St Cecilia’s Day in Rome in October 1720. It was originally part of a much larger mass setting for the event, which is considered to be one of the finest pieces of music to survive from the Baroque era. This movement, intended for the gradual, is one of the more popular sections and is often performed as a stand-alone piece. I…
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| Der Himmel Lacht! Die Erde Jubilieret (BACH JOHANN SEBASTIAN) Solistes STB, Choeur SSATB, Hautbois (2 Hautbois, [Partition] Carus Verlag
Kantate Zum Ersten Ostertag. Par BACH JOHANN SEBASTIAN. The words are based on the Easter Gospel, the account of the Resurrection of Jesus, which is first joyfully celebrated. Then follows a call to the faithful: every Christian must make the Resurrection a reason to renew himself spiritually, so as to complete a kind of inner Resurrection himself. For his scoring – which changed slightly from per…
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| Sérénade In F Op. 29 (REIZENSTEIN FRANZ) Flûte Traversière, 2 Hautbois, 2 Clarinettes, 2 Co Boosey and Hawkes
Par REIZENSTEIN FRANZ. Flute, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, Double Bass. Reizenstein, F/ Répertoire / Flûte Traversière, 2 Hautbois, 2 Clarinettes, 2 Co
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| Telemann G.p. - Concerto à 7 - Violin Ii Schott
EDITION : SEPARATE PART INSTRUMENTATION : 2 TREBLE RECORDERS, 2 OBOES, 2 VIOLINS AND BASSO CONTINUO DATE OF PUBLICATIONS : 01/10/1980 NUMBER OF PAGES : 3 ARRANGER : BRUGGEN, FRANS SERIES : CONCERTINO
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| Telemann G.p. - Gelobet Dei Der Herr Tvwv 1:602/1216 - Vocal Score Barenreiter
Edition no.: BA 5899-90 ISMN: 9790006543502 Editor: Poetzsch, Ute Arranger: Köhs, Andreas Language(s) of work: German Language(s) of text: German, English Product format: Piano reduction, Urtext edition Binding: Paperback Pages / Format: IX, 83 S. - 27,0 x 19,0 cm Georg Philipp Telemann's two-part oratorio for St. John's Day appeared as part of the 'great oratorio year' of 1730/31. Originally p…
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| Missa Nr. 9 In D (HEINICHEN JOHANN DAVID) Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Partition] Carus Verlag
Tonalité : D-Dur -. Par HEINICHEN JOHANN DAVID. The Carus program featuring music of the Court of Dresden has been expanded with the publication of the first edition of the great masses of Johann David Heinichen, who, next to Hasse and Zelenka, was the most important musical representative of this capital of Saxony. A peculiarity of this work is the fact that Heinichen inserted an actual concerto …
11.70 EUR - Expédié par LMI-partitions Délais: 3-6 jours - En Stock Fournisseur |
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| Der Himmel Lacht! Die Erde Jubilieret (BACH JOHANN SEBASTIAN) Solistes STB, Choeur SSATB, Hautbois (2 Hautbois, [Partition] Carus Verlag
Kantate Zum Ersten Ostertag. Par BACH JOHANN SEBASTIAN. The words are based on the Easter Gospel, the account of the Resurrection of Jesus, which is first joyfully celebrated. Then follows a call to the faithful: every Christian must make the Resurrection a reason to renew himself spiritually, so as to complete a kind of inner Resurrection himself. For his scoring – which changed slightly from per…
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| Heilig (BACH CARL PHILIPP EMMANUEL) Solo A, Choeur SATB/SATB, 2 Orchestres: 2 Hautbois [Partition] Carus Verlag
Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …
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| Ascension Oratorio Bwv 14 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourf…
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| Exsultate, Jubilate (MOZART WOLFGANG AMADEUS) Solo S, 2 Hautbois ou 2 Flûtes Traversières, 2 Cor Carus Verlag
Solomotette Zum Dreifaltigkeitsfest Oder Zu Weihnachten. Par MOZART WOLFGANG AMADEUS. A good six years following its first performance in Milan [1773] a second version of Exsultate, jubilate was completed for a performance on Trinity Sunday in 1779. It has survived in a manuscript from Salzburg. This “Salzburg version, ” which was discovered in 1978, differs from the “Milan version” primarily thro…
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| Heilig (BACH CARL PHILIPP EMMANUEL) Solo A, Choeur SATB/SATB, 2 Orchestres: 2 Hautbois [Partition] Carus Verlag
Wq 217. Par BACH CARL PHILIPP EMMANUEL. His Heilig Wq 217 is just 6 minutes long. Bach, however, put all his art into these few minutes, as he himself wrote to his publisher: „ Here I have proved the most daring and hard work . . . It will be my swan song of this nature, and serve to ensure that you do not forget myself too soon after my death“. The work requires an extraordinary instrumentation: …
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| Ascension Oratorio Bwv 11 (BACH JOHANN SEBASTIAN) Orchestre [Partition] Barenreiter
Urtext edition. Par BACH JOHANN SEBASTIAN. Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.
As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?),…
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| Allegro for Double Orchestra (VIVALDI ANTONIO / SIEVING ROBERT (Arr) Orchestre Hal Leonard
FROM THE RESPONSORY DOMINE AD ADJUVANDUM ME FESTINA. Par VIVALDI ANTONIO / SIEVING ROBERT (Arr.). Robert Sieving\'s arrangement of Allegro for Double String Orchestra by Antonio Vivaldi, RV593, originally a motet featuring the vocal setting of Psalm 69 for soprano, 2 oboes, 2 SATB choirs, and double string orchestra, provides the opportunity for two orchestras to perform in opposition and have a m…
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| Sie Werden Euch In Den Bann Tun I Bwv 44 (BACH JOHANN SEBASTIAN) Chant satb (soli), SATB (chœur), Clavier [Partition] Carus Verlag
Kantate zu Exaudi. Par BACH JOHANN SEBASTIAN. The cantata 'Sie werden euch in den Bann tun', part of Bach's first Leipzig annual cycle of cantatas and the earlier of two compositions of the same name, was probably first performed on the last Sunday after Ascension in May 1724. The text is concerned with suffering and the Antichrist, both of which are overcome by Christian faith. By employing all f…
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