Par RAMEAU JEAN-PHILIPPE. Amongst Rameau?s stage works which have come down to us in two main versions, such as ?Dardanus? (1739, 1744), ?Platée? (1745, 1749) and ?Zoroastre? (1749, 1756), none fell into oblivion for as long a period as ?Castor et Pollux?. After the work had been premiered in 1737, not until 1754 did Rameau decide to revise it. He asked his librettist ?Gentil-Bernard? to add an ac…

Par VAN DER ROOST JAN. This work consists of two movements. The first part is rather quiet and pastoral in character, written in a gently rocking 12/8 time and expressing the tranquillity of the area around the medieval town of Oudenburg in Belgium. After a beautiful orchestral climax the second section, inspired by the Roman past of Oudenburg, begins. A somewhat oppressive and impending introduct…

Par MACKAY NEIL. A Tuneful Introduction To The Third Position does not deal with the changing of position of the Left Hand. The only movement is the initial one from First to Third Position. Once this has been achieved, the hand remains in place throughout each melody. Students should remember to keep the thumb opposite the forefinger when the hand is in Third Position./ Etude / Violon

Op. 79. Par BRAHMS JOHANNES. Brahms' vivacious 'Rhapsodies” op. 79 of 1879 are among his most frequently played works. He had a hard time finding a suitable title for them, vacillating between 'Piano Piece”, 'Capriccio” (No. 1) and ”Caprices”. His hand was forced by the dedicatee Elisabeth von Herzogenberg, who welcomed the pieces with the salutation 'Ye (to me) nameless ones in the nebulous garb …

Par HOLST GUSTAV. Among the most popular and important modern British composers, Gustav Holst (1874–1934) was a true eccentric, given to odd enthusiasms and mystical musings. His spectacular symphonic suite The Planets, first performed in 1918, established hisinternational reputation and remains a staple of the orchestral repertoire to this day. Scored for huge orchestral forces and a wordless cho…

Par RENIE HENRIETTE. With few studies in existence for the Harp, Henriette Reine 's Complete Method of the Harp fills a large gap. Comprising two volumes, the first addresses the fudamentals of technique. Renie (1875-1956) was a deeply religious woman who lived in poverty for much of her life. She was a highly accomplished harpist and composer, yet she had little triumph due to success being socia…

Par GILBERT WILLIAM SCHWENCK / SULLIVAN ARTHUR. The Mikado, arguably the greatest masterpiece among Gilbert and Sullivan's remarkable series of comic operas, remains undiminished in its popularity. This freshly edited publication is based on Sullivan's autograph and the first edition of the full score published two years before the composer's death. Edited by Carl Simpson and Ephraim Hammett Jones…

Par CURNOW JAMES. What an excellent way to lift your beginning band up to a higher level of musicianship! This outstanding new work for the beginning band is perfect for that first festival experience or for any concert venue. With accents, staccato, and lots of dynamic and stylistic contrasts there is much to teach in this piece, and yet it remains accessible to the last exciting note. Be sure to…

Symphonic Etudes. Par SHCHEDRIN RODION. Many of Rodion Shchedrin’s compositions are distinguished by deeply Slavonic feeling and thrilling virtuoso displays. Even though Shchedrin has won recognition all over the world for his work, he remains an essentially Russian composer who has not broken off his ties to Russian musical folk traditions and poetry. It is thus not surprising to learn of his pro…

Par VERDI GIUSEPPE. The first critical edition of Verdi's Requiem with complete performance material for sale. The edition is based on the autograph as the primary source and makes accessible one of the most important requiem settings of the 19th century in a modern scholarly edition. In particular, articulation, phrasing and dynamics are often indicated more precisely than in previous, well-known…