Add a large helping of glitz and glamour to you repertoire with this bumper selection of showtunes, all arranged for the solo Pianist! 45 show songs from the West End to Broadway have been specially chosen to create an anthology that will add spice, variety and endless entertainment to your recitals. With pieces ranging from the saucy Jazz of Chicago and Big Spender to the gentle intimacy of Memor…

Step into the spotlight with this fantastic collection of 21 great songs arranged for Alto Saxophone. With the superb audio download, Guest Spot lets you play along with high quality backing tracks that you can access through your computer.Hear the full performance versions of the music tracks to find out how it should sound, then when the Saxophone part is then omitted you can play along with the…

Prenez la graisse de plomb contient tous les plus grands succès de cette comédie musicale populaire, y compris des nuits d'été', ' We Go Together ' et ' You're The One That I want '. Les étudiants ont le choix de jouer avec le CD, un piano ou une guitare et toutes les pièces sont entièrement intégrés avec des arrangements pour les autres instruments de la série, ce qui en fait la ressource idéale …

(Out Here) On My Own (Nikka Costa) - 1973 (James Blunt) - 7 Seconds (Youssou ?N Dour) - ?74 ?75 (The Connells) - A Groovy Kind Of Love (Phil Collins) - A Horse With No Name (America) - A Kind Of Magic (Queen) - A New Flame (Simply Red) - A Woman's Worth (Alicia Keys) - About A Girl (Nirvana) - Again (Lenny Kravitz) - Against All Odds (Take A Look At Me Now) (Phil Collins) - Ain't Misbehavin' (Loui…

Instrument : piano, guitar and voice
Type : songbook
Nombre de Pages : 196

Containing only the biggest hits, the Stars & Hits series is the ultimate collection for all pianists, singers and guitarists.

The second volume in the series provides an array of popular hits. 'Ballads' includes soft and romantic songs from some of the biggest names in rock and pop music, such as …

Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their w…

For Fingerstyle Guitar. Par GROSSMAN STEFAN. As aspiring fingerpicking guitarists started expanding their horizons from folk, blues, and ragtime in the 1970s, it was only logical to look towards early jazz tunes as a vast source for new possibilities. For one thing, they could follow the same evolutionary path from ragtime to jazz that had been taken by pianists such as Jelly Roll Morton and Harle…