Breitkopf Urtext für Flöte und Cembalo / for Flute and Harpsichord. Par BACH CARL PHILIPP EMMANUEL. These Sonatas for flute and harpsichord obbligato (Wq 83 - 86) were written in Potsdam between 1745 and 1755, while C. P. E. Bach was in the service of King Frederick II of Prussia. The sonatas also exist in genuine trio Sonata versions. In our present version, the right hand of the harpsichordist t…

Offertorium In Festo Sti Benedicti. Par MOZART WOLFGANG AMADEUS. Since the autograph of the offertory 'Scande coeli limina' KV 34 has not survived, the discovery of the oldest existing copy of the parts in 1998 in the archives of the Holy Chapel in Altötting were a significant contribution to the preservation of this work. Robert Münster discovered the parts, the new source upon which the present …

Kantate Zum 13. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. The closing chorale of the cantata is given without text in the autograph. In this edition, the recommendation of the Neuen Bachausgabe (NBA 1/21) is followed. / Musique religieuse / Répertoire / Solistes SATB, Choeur SATB, Trompette (Da Tirarsi)

Ausgabe mit den Ergänzungen von Ferdinand Schubert. Par SCHUBERT FRANZ. edition based on the autograph score [1815], with the recommendations of Ferdinand Schubert. / Messe / Répertoire / Solistes STB, Choeur SATB Version 1 (original) : (

Tito Manlio was performed for the fi rst time in Mantua as second work of the Carnival season of winter 1719. Vivaldi set the libretto of La fi da ninfa, a dramma per musica in three acts by Scipione Maffei, with a view to its use for the inauguration of the new theatre of the Accademia Filarmonica of Verona, which took place on 6 January 1732, during the Carnival season, elaborate stage sets bein…

Par VERDI GIUSEPPE. The first critical edition of Verdi's Requiem with complete performance material for sale. The edition is based on the autograph as the primary source and makes accessible one of the most important requiem settings of the 19th century in a modern scholarly edition. In particular, articulation, phrasing and dynamics are often indicated more precisely than in previous, well-known…

Marienantiphon. Par MOZART WOLFGANG AMADEUS. The new edition is based on the autograph which was presumed to have been missing since the second world war but which was rediscovered in 1964. It is the basis for the present new critical edition by Christine Martin. In contrast to previous sources, several matters concerning articulation have been corrected. / Hymnes et chorals / Répertoire / Solo S…

Par SZELENYI ISTVAN. The Hungarian composer István Szelényi (1904-1972) studied with Zoltán Kodály and later himself became a lecturer at the Budapest Academy of Music. This Rhapsody, published here for the first time, was written in 1956 for the Henryk Wieniawski Composition Competition in Warsaw. On the autograph manuscript Szelényi noted in French a saying of his former composition teacher Zolt…

Solomotette Zum Dreifaltigkeitsfest Oder Zu Weihnachten. Par MOZART WOLFGANG AMADEUS. A good six years following its first performance in Milan [1773] a second version of Exsultate, jubilate was completed for a performance on Trinity Sunday in 1779. It has survived in a manuscript from Salzburg. This “Salzburg version, ” which was discovered in 1978, differs from the “Milan version” primarily thro…

Franz Schubert wrote his Arpeggione Sonata for piano and arpeggione, a hybrid instrument that was part guitar, part violoncello and fashionable at that time. The version for violin and piano has survived in a manuscript of parts from the days of Schubert which has become accessible only recently and is quite a sensation in the early 19th-century violin repertoire. The edition follows, for the most…