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1351 partitions trouvées
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Missa Pastoralis In C (RYBA JAN JAKUB)
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Missa Pastoralis In C (RYBA JAN JAKUB)
Solistes SATB, Choeur SATB, Basson, Clarine, 2 Vio [Partition]
Carus Verlag
In Nativitate Domini In Nocte. Par RYBA JAN JAKUB. The “Missa pastoralis in C”, published here for the first time, dates from about 1808. It belongs to a cycle of sacred pieces, a „Cursus sacro-harmonicus, “ which Ryba planned as Ordinarium and Proprium settings for all the Sundays and feast days of the church year. The “Missa pastoralis in C” is a pastoral Mass for the matutinal service at Christ…
38.10 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur
David Of The White Rock (SPARKE PHILIP)
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David Of The White Rock (SPARKE PHILIP)
Orchestre d'harmonie [Conducteur]
Anglo Music
Par SPARKE PHILIP. This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody, requesting that it be played at his funeral. Accordi…

18.50 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur
David Of The White Rock (SPARKE PHILIP)
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David Of The White Rock (SPARKE PHILIP)
Fanfare [Conducteur et Parties séparées]
Anglo Music
Par SPARKE PHILIP. This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody, requesting that it be played at his funeral. Accordi…

124.70 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur
The Only (POTT FRANCIS)
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The Only (POTT FRANCIS)
Chorale SATB
SATB, Piano [Partition]
Peters
Par POTT FRANCIS. The Only was written, as a conscious departure from intricate polyphonic part-writing, by a composer to whose thinking counterpoint is usually more central. This piece seeks to emulate the kind of easy lyricism which is such a fingerprint of John Rutter's music, while preserving a slightly more austere, even archaic harmonic language. The rhythmic patterning of the accompanying p…
5.30 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur
David Of The White Rock (SPARKE PHILIP)
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David Of The White Rock (SPARKE PHILIP)
Ensemble de cuivres [Conducteur et Parties séparées]
Anglo Music
Par SPARKE PHILIP. This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody, requesting that it be played at his funeral. Accordi…

81.30 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur
David Of The White Rock (SPARKE PHILIP)
+ Détails
David Of The White Rock (SPARKE PHILIP)
Ensemble de cuivres [Conducteur]
Anglo Music
Par SPARKE PHILIP. This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody, requesting that it be played at his funeral. Accordi…

18.50 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur
David Of The White Rock (SPARKE PHILIP)
+ Détails
David Of The White Rock (SPARKE PHILIP)
Fanfare [Conducteur]
Anglo Music
Par SPARKE PHILIP. This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Gareg Wen (The White Rock) in Eifionydd, Carnarnvonshire, North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody, requesting that it be played at his funeral. Accordi…

18.50 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur
Récit (HENRY JEAN-CLAUDE)
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2 vendeurs
Récit (HENRY JEAN-CLAUDE)
Saxophone Tenor et Piano [Partition]
Combre
Par HENRY JEAN-CLAUDE. Jean-Claude Henry studied at the Paris Conservatoire, notably with Olivier Messiaen for analysis, Tony Aubin for composition, and Rolande Falcinelli for organ and improvisation. Winner of the Munich International Organ Competition in 1959, Organist at the church of Saint-Pierre in Neuilly-sur-Seine from 1970 to 1990, he gave concerts in France and Europe. Awarded the Prix de…
13.60 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur
A New Heaven
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A New Heaven
Voix Mixtes et Orgue [Partition]
Peters
A New Heaven is a collaboration between Peters Edition and Faber Music. It contains 16 exciting new choral works by some of the most highly regarded British choral composers of our time – from Jonathan Dove and Howard Goodall to Judith Bingham and Jonathan Harvey. Includes an introduction and commentary with valuable rehearsal and performance tips by internationally acclaimed British choral conduc…
19.70 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur
O Happy Day (GRAEF FRIEDEMANN)
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O Happy Day (GRAEF FRIEDEMANN)
Saxophone et Orgue
Advance Music
Traditional. Par GRAEF FRIEDEMANN. This collection of pieces for saxophone and organ or piano is designed for use in concert performances as well as for church services and other ceremonies. It contains the traditional American spirituals extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of personal experi…
14.60 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur
Lord I Want To Be A Christian (GRAEF FRIEDEMANN)
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Lord I Want To Be A Christian (GRAEF FRIEDEMANN)
Saxophone et Orgue
Advance Music
Traditional. Par GRAEF FRIEDEMANN. This collection of pieces for saxophone and organ or piano is designed for use in concert performances as well as for church services and other ceremonies. It contains the traditional American spirituals extended by composed introductions and endings, or interludes and written solos. The notated solos here are the results of more than ten years of personal experi…
14.60 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur
Litaniae Lauretanae B.M.V In B (MOZART WOLFGANG AMADEUS)
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Litaniae Lauretanae B.M.V In B (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre [Partition]
Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Ch…
5.80 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur
+ Détails
Litaniae Lauretanae B.M.V In B (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre [Partition]
Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Ch…
9.40 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur
+ Détails
Litaniae Lauretanae B.M.V In B (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Ch…
7.90 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur
+ Détails
O For A Thousand Tongues (COURT DOUGLAS)
Orchestre d'harmonie [Conducteur et Parties séparées]
Curnow Music
Par COURT DOUGLAS. Charles Wesley has given the church some of its most popular and eloquent hymns that have shown the ability to stand the test of time. ‘O for a Thousand Tongues Sing’ was written to celebrate what Wesley referred to as his ‘second birth’. Wesley marked this day as the day he responded to the love and grave of God. / Niveau : 2 / Répertoire / Concert Band ou Harmonie

97.60 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur
Litaniae Lauretanae B.M.V In B (MOZART WOLFGANG AMADEUS)
+ Détails
Litaniae Lauretanae B.M.V In B (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre [Partition]
Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Ch…
3.20 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur
Litaniae Lauretanae B.M.V In B (MOZART WOLFGANG AMADEUS)
+ Détails
Litaniae Lauretanae B.M.V In B (MOZART WOLFGANG AMADEUS)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre [Partition]
Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Ch…
3.20 EUR - Expédié par LMI-partitions
Délais: 3-6 jours - En Stock Fournisseur


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