| St. Mark Passion (PINKHAM DANIEL) Soprano Peters
Par PINKHAM DANIEL. Score and Parts - Vocal Score (EP 6900) also available / Contemporain / Répertoire / Soprano
13.70 EUR - Expédié par LMI-partitions Délais: 3-6 jours - En Stock Fournisseur |
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| 10 Celebrated String Quartets Quatuor à cordes: 2 violons, alto, violoncelle Hofmeister Musikverlag
Cette réédition de la célèbre édition Novello propose des six quatuors de Haydn '', le quatuor 'Hoffmeister', et trois quatuors 'prussiens'. Basé sur les manuscrits corrigés publiés par la veuve du compositeur, cette fameuse partition d'étude constitue la première édition authentique de ces oeuvres. Le score est complété par plus de 60 pages de la matière première par le célèbre musicologue Alfred…
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| Concerto For Violin And Orchestra A Minor Op. 53 Orchestre, Violon Barenreiter
This study score is based on our recently published new scholarly-critical edition (BA 10422) of Dvorák's op. 53, his only violin concerto. Besides the original print, the edition takes into account Dvorák's autograph, which served as a model for the engraving. A fresh evaluation of the autograph has made it possible to reconstruct several variants ignored in the first and subsequent editions and …
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| Piano Quintet F Minor Op. 34 (BRAHMS JOHANNES) Piano Quintette: piano, 2 violons, alto, violoncelle Barenreiter
Score + Parties. Par BRAHMS JOHANNES. Bärenreiter's scholarly-critical edition of Brahms' popular Quintet in F minor for piano and strings contains everything a cutting edge Urtext edition is meant to offer. It presents a solid and wellresearched musical text based on Brahms' autograph as well as the first edition, and draws on the autograph of the two-piano version (composed six years later) for …
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| Te Deum For The Victory At The Battle Of Dettingen (HAENDEL GEORG FRIEDRICH) Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Hwv 283. Par HAENDEL GEORG FRIEDRICH. The “Dettinger Te Deum” was written to celebrate England’s victory over the French at the Battle of Dettingen. It is Handel’s last and most successful setting of the “Te Deum” and reveals a deep understanding of the English church music tradition. The sound impact of this broadly conceived work is governed by the choirs in an almost theatrical exegesis of the …
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| Concerto for Cello and Orchestra (Concertstück) Violoncelle, Orchestre [Partition] Peters
Original Version. Par SCHUMANN ROBERT. Schumann’s Cello Concerto Rediscovered
In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann’s original version of his Cello Concerto in A minor Op. 129 – a piece he actually called a ‘Concertstück’ – removing generations of inauthentic editorial interventions. This is the only available mode…
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| Beethoven L.v. - Concerto Eb Major Woo 4 - Piano And Orchestra Conducteur de poche, d'étude [Conducteur d'étude / Miniature] Eulenburg
INCLUDING ALL CADENCES WRITTEN BY THE COMPOSER HIMSELF EDITION : STUDY SCORE INSTRUMENTATION : PIANO AND ORCHESTRA CATALOGUE OF WORKS : WOO 4 DATE OF PUBLICATIONS : 16/11/1981 NUMBER OF PAGES : 72 ARRANGER : HESS, WILLY SERIES : EULENBURG MINIATURE SCORE
16.40 EUR - Expédié par Woodbrass Délais: Sur commande |
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| Missa In Angustiis (HAYDN FRANZ JOSEF) Solistes SATB, Choeur SATB, 2 Trompettes, Timbales [Partition] Carus Verlag
Nelson-Messe. Par HAYDN FRANZ JOSEF. The 'Missa' in D minor, published here, the third of Haydn's six late masses, was written during the summer of 1798 between the two late oratorios. According to the dates given on Haydn's autograph score he completed the composition in less than eight weeks. The score bears no particular title, but in Haydn's manuscript thematic catalogue of his works he referr…
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| Marais M. - Suite G Major - Viole De Gambe Viole de Gambe Guntersberg
Marin Marais (1656-1728) Compositions from the First Book for two violas da gamba and basso continuo Editor: Günter and Leonore von Zadow, publication date: 2014-06, continuo realization: Dankwart von Zadow, source: Pieces a une at a deux violes [Premier Livre], Paris 1686-1869 Description Marais' music represents for many the pinnacle of the French viol literature, and the facsimile reproducti…
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| Nonett (KAREL RUDOLF) Flûte Traversière, Hautbois, Clarinette, Basson, C Carus Verlag
Par KAREL RUDOLF. Rudolf Karel, the last student of Dvorák, was able to compose the Nonett in short score before his death [1945] in the concentration camp in Theresienstadt. From this score, Václav Snítil, the longtime leader of the Czech Nonett, has been able to complete and instrumentate the work. In spite of death and suffering around him, Karel was still able to portray the belief in a place …
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| Magnificat (SCHUTZ HEINRICH) SATBasse (2 Grands Choeurs Mixtes à 4 Voix Ad Libi [Partition] Barenreiter
Par SCHUTZ HEINRICH. Concerto for four-part select (solo) choir, two four-part ripieno choirs (ad lib), a three-part solo Violin ensemble, a three-part solo Trombone ensemble and Basso continuo (cello or organ) My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. Schutz's impressive and musically colourful setting of the Magnifcat from 1665 shows the influence of Monteverdi…
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| Abdelazer (PURCELL HENRY) Violoncelle, Alto et Violon [Partition] Faber Music Limited
Score. Par PURCELL HENRY. This is the incidental music for Strings to the tragic play Abdelazer (or The Moor's Revenge) as composed by Henry Purcell (1659-1695). This is the score./ Répertoire / Violoncelle, Alto et Violon
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| Concert N01 (SCHNITTKE ALFRED) Violoncelle, Orchestre [Partition] Sikorski
für Violoncello und Orchester. Par SCHNITTKE ALFRED. Schnittke’s first cello concerto was written during a near fatal time in his life, after having suffered a severe stroke in 1985, during which his heart stopped three times. Upon recovery he completed the concerto, the music becoming more dissonant and discordant, with the melodies more contorted. The first cello concerto was a monumental endeav…
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| Sérénade For Strings Op. 20 (ELGAR EDWARD) Orchestre [Conducteur] Barenreiter
Par ELGAR EDWARD. With Christopher Hogwood’s new edition of Elgar ’s much loved Serenade, a scholarly-critical edition of the work is now available for the first time. As with other Elgar works, modern editions of the Serenade have always suffered from an enormous number of inconsistancies between the score and parts and unclear divisi and unison passages. The editor has clarified these discrepanc…
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| Konzert In A Für Voline Und Orchester 'Nr. 5' (MOZART WOLFGANG AMADEUS) Partition de Poche [Partition] Barenreiter
for Violin and Orchestra. Par MOZART WOLFGANG AMADEUS. Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773–1779. Especially important are the years 1773 and 1775, which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity are par…
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| String Quartets Op. 112 And 153 (SAINT-SAENS CAMILLE) Quatuor à cordes: 2 violons, alto, violoncelle [Partition] Barenreiter
Conducteur Ba 10927 et Ba 10928. Par SAINT-SAENS CAMILLE. Ludwig van Beethoven's overpowering legacy caused many subsequent composers to avoid writing string quartets at all. Saint-Saëns was no exception in this respect and waited until 1899 and 1918 to produce his two contributions to the genre. Couched in classicism, they relate in form and style to early 19th-century French quartets and to a ti…
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| Ich Will Den Kreuzstab Gerne Tragen (BACH JOHANN SEBASTIAN) Chorale SATB [Partition] Barenreiter
Cross Staff Cantata (Kreuzstabkantate). Par BACH JOHANN SEBASTIAN. Ich Will Den Kreuzstab Gerne Tragen 'Kreuzstabkantate' (I will my cross-staff gladly carry) 'Cross Staff Cantata (Kreuzstabkantate)') BWV 56 Cantata for the 19th Sunday after Trinity Bach ’s solo cantata Ich Will Den Kreuzstab Gerne Tragen is taken from his third cantata cycle for Leipzig. To judge from its position in the liturgy,…
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| Sinfonia N.3 'Organ' Full Scor (SAINT-SAENS CAMILLE) Orchestre [Partition] Dover Publications
in Full Score. Par SAINT-SAENS CAMILLE. Considered throughout much of his career as the preeminent French composer, Camille Saint-Saëns wrote music that embodies a characteristic French concern for clarity and order, together with his own assured mastery of the composer's craft. These qualities are evident in Saint-Saëns' Symphony No. 3, widely regarded as the composer's major orchestral work, and…
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