Par STEREOPHONICS. Welsh rockers Stereophonics have been rocking around the UK since the early '90s with hits like Handbags and Gladrags and The Bartender and the Thief . This best of collection features all their biggest singles, including A Thousand Trees and Maybe Tomorrow , there's something for everybody here. / Niveau : Intermédiaire / Rép International / Recueil / Piano, Chant et Guitare…

Flûte Method - Learning Made Easy. Par KASTELEIN / KLAAS DE JONG. Each volume in the Step by Step series contains 14 structured lessons, a DVD (Volume 1 only) and 2 CDs. The aim of this book is to provide all beginners with an opportunity to have fun whilst learning to play their instrument. The 2 CDs contain performances of each piece to demonstrate how it should be done, along with play along tr…

Par ORCHESTRA TRANS-SIBERIAN. This 22-song piano/vocal/chord album-matching songbook contains beautiful artwork and the powerful, emotional, classical/rock opera music that TSO fans rave about. Titles: Overture * Midnight * Fate * What Good This Deafness * Mephistopheles * What is Eternal * The Moment * Vienna * Mozart / Figaro * The Dreams of Candlelight * Requiem (The Fifth) * I'll Keep Your Sec…

Par FINE ELAINE. The etudes in this book offer students a musically and intellectually satisfying means of practicing scales in all major and minor keys, even while remaining in first position. Although presented in the traditional order of the circle of fifths, this is where similarities to other violin scale-oriented books end.Of course, the etudes can be played using a mixture of positions by m…

In 1648 Heinrich Schütz published a collection of 29 motets with five to seven parts titled 'Geistliche Chor-Music? (Sacred Choir Music). Here, the term 'Chor? (choir) refers not only to a (large) vocal ensemble but, more generally, to a group of musicians, vocal or instrumental. As explained by Schütz in the foreword he published with the collection, all parts of the motets can be performed vocal…

Par RAMEAU JEAN-PHILIPPE. Amongst Rameau?s stage works which have come down to us in two main versions, such as ?Dardanus? (1739, 1744), ?Platée? (1745, 1749) and ?Zoroastre? (1749, 1756), none fell into oblivion for as long a period as ?Castor et Pollux?. After the work had been premiered in 1737, not until 1754 did Rameau decide to revise it. He asked his librettist ?Gentil-Bernard? to add an ac…