Ces luxuriante carol paramètres rapatrier la beauté de la saison à tout rassemblement. Chaque arrangement capture tout à la fois ce qui est bien-aimé, contemporain et créatif dans chaque carol. Les auditeurs et les artistes interprètes ou exécutants tant seront me demande la beauté nouvelle Smith et Snyder faire ressortir dans ces chants bien connus - et les parties de flûte de niveau intermédiair…

Rooted in European music history due to his acquaintance with Chopin, Liszt, Berlioz and Schumann, Stephen Heller (1813-1888) is one of the most important representatives of the Romantic character piece. The Budapest-born pianist and piano teacher composed almost exclusively for his instrument. His overall oeuvre comprises more than 150 works, including sonatas, preludes, dances, variations, colle…

Par BERLIOZ HECTOR. When Berlioz won the Prix de Rome in 1830 he had already composed several major works such as the Symphonie Fantastique. Indeed, he became the essential French romantic composer. The Hungarian March is taken from the fourth act of The Damnation of Faust, a dramatic legend composed in 1846 and sometimes performed in the form of an opera. Previoiusly Berlioz had given it the sub-…

Media Type : Book Level : Intermediate-Advanced Musical Genre : Bluegrass & Country Number of pages : 128 This methodology book designed for the intermediate to advanced mandolinist offers you, as a mandolin player, a new voice. Or, if you're already crosspicking, many new ideas can be added to your arsenal. Each song includes a preparatory study that allows you the opportunity to gain a soli…

Now you can play Lindsey's beautiful medley from the iconic musical arranged for violin with piano accompaniment. The medley features: Bring Him Home - Castle on a Cloud - Do You Hear the People Sing? - A Heart Full of Love - I Dreamed a Dream - Master of the House - On My Own. This book includes a separate pull-out violin part. / Violon Et Piano

Studyscore - BATP779. Par SAINT-SAENS CAMILLE. Ludwig van Beethoven's overpowering legacy caused many subsequent composers to avoid writing string quartets at all. Saint-Saëns was no exception in this respect and waited until 1899 and 1918 to produce his two contributions to the genre. Couched in classicism, they relate in form and style to early 19th-century French quartets and to a titan of the …