Par CHOPIN FREDERIC. Edited Oscar Beringer CONTENTS Prelude in A, Op. 28, No. 7; Mazurka in G minor, Op. 24, No. 1; Trio from the Scherzo of the Sonata, Op. 35; Mazurka in A minor, Op. 67, No. 4 (posth. ); Andantino from Ballade No. 2, Op. 38; Mazurka in A minor, Op. 7, No. 2; Waltz in A minor, Op. 34, No. 2; Mazurka in C, Op. 33, No. 3; Nocturne in E flat, Op. 9, No. 2; Waltz in E minor, Op. post…

for Violin, Cello, and Piano Full Score. Par HAILSTORK ADOLPHUS. Trio was commissioned by the Nova Trio of Norfolk, Virginia. The ethnic diversity of the group influenced the writing of the composition. The first movement is a lament commemorating the Jewish holocaust. The theme presented in the violin occurs in every movement. The second movement scherzo leads directly into the finale, a lively d…

Svit för Helena för blåskvintett. Par KARLSSON LARS. Lars Karlsson's Suite for Helena (Svit för Helena, 1994) for wind quintet is built on folk tunes from his native Åland Islands. In five movements, it takes a form from classical models (French suite, fuga, scherzo) and also of 'family diary' describing the first steps of a baby boy (David's promenade), the bird sounds at the sea next to beloved …

INSTRUMENTATION : STRING QUARTET VERSION : STUDY SCORE CONTENU : I. ALLEGRO VIVACE - II. ANDANTE QUASI VARIAZIONI - III. SCHERZO. PRESTO - IV. ALLEGRO MOLTO VIVACE NOMBRE DE PAGES : 36 COLLECTION : EULENBURG MINIATURE SCORES FORMAT : ETP SMALL

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With Piano Pieces In C Minor Woo 52 And 53. Par BEETHOVEN LUDWIG VAN. Beethoven's Sonata Op. 10/1 was composed over a long period between 1795 and 1798 in which the composer could not decide for quite some time whether to go for four or three movements. Beethoven considered two piano pieces in C minor (WoO 52 and 53) as potential third movements before the finale until he eventually decided in fav…

Par HENZE HANS WERNER. In this work, I had wanted completely to submit to the traditional rules of the classical symphony so as to mould my musical expression as if in a furnace and enable it to reach the listener as directly and clearly as possible. The first movement is a kind of German dance, an Allemande, so to speak; the second one a Lied. The third, in strict scherzo-form, is a representatio…

Par ULLMANN VIKTOR. [Einsätzig; Ullmann beschreibt auf der Titelseite des Autographen folgende Unterteilung:] I Exposition (soll wiederholt werden) • II Scherzo mit Trio und verkürzter Wiederholung • III Durchführung des Hauptsatzes • IV Largo (quasi Fuge, mit Durchführung des Seitensatzes als Episode) • V Rondo-Finale mit Coda (Haupt-Thema)/ Répertoire / Quatuor à Cordes