Par DELISE LOUIS ANTHONY. Louis Anthony deLise is an American composer, pianist, and percussionist. The compositions in A Gift of Moments are typical of deLise?s composing style that often features the juxtaposition of disparate musical elements like serial technique, frequently changing meters, the urgency and drive of rock and roll, and the lush harmonies of 1960?s West Coast Jazz. Dr. deLise wa…

Par SCHAARS PETER KLEINE. Dancescriptions combines many styles derived from pop music with techniques from classical composition. The styles are not the focal point; the true musical definition comes from the interpretation of the transition passages. After the statement of a rhythmic and melodic cell the music is developed from the thematic material in the appropriate style - soul music, disco, m…

Par FRONTINI F.PAOLO. Classical/ Répertoire / Piano

Virtuoso jazz in classical form: Nikolai Kapustin is an excellent jazz pianist, arranger and composer. Suitable for pianists looking for technically demanding pieces between modern and jazz music which sound like highly skilled, yet notated improvisation. / Piano

Arr. Philip Sparke. Par BEETHOVEN LUDWIG VAN. Beethoven’s York’scher Marsch is one of a collection of three tattoos (WoO 18-20) and has had a chequered history, to say the least. There are several autograph copies for different instrumentations, dedicated to different archdukes who were commanders of various regiments of the army including the Prussian regiment called Marsch des Yorkschen Corps, w…

Par HALFFTER ERNESTO. Classical / Mottet / Feuillet / Guitare

Par DUBOIS THEODORE. At just 34 years of age, Theodore Dubois was installed as a professor of harmony at the Paris Conservatoire. Whilst much of his compositional works have disappeared from primary classical repertoire, his teaching has had a lasting influence. Having taught successful composers, including Paul Dukas, it is clear that Dubois' Realisation Of Figured Bass is well-informed. This mus…

Par GALUPPI BALDASSARE. Classical/ Répertoire / Piano

Offertorium. Tenor-Arie Mit Chor. Par SCHUBERT FRANZ. In contrast to his earlier short church works, some of which rely stylistically on baroque and classical models, in this work Schubert has discovered his own personal and romantically coloured church music idiom. Elements of this new church style include iteration which creates atmosphere, the subtle introduction of wind instrument, and sounds …

This work was originally scored as a tone poem that was written in 1874 by well-known French composer Camille Saint-Saëns. The basis of the piece is an old French superstition where at the stroke of midnight on Halloween, Death appears and summons the dead to dance while he plays his music for them. In a familiar 3/4, it's spooky enough for a Halloween performance and classical enough for any prog…