Welcome is a work composed by Edward Gregson, arranged for Upper Voices and Piano. It was originally composed for boys' voices, Organ, Brass and Percussion in 1996, but ten years later Gregson created a new version especially for the Kinder Children's Choir of the High Peak. This latter version appears here, and lasts around 4 minutes.The text of Welcome consists of the word 'Welcome', repeated nu…

Motet for 4 Voices, 2 Violins, Viola, Bass and Org. Par MOZART WOLFGANG AMADEUS. Motet For 4 Voices, 2 Violins, Viola, Bass And Org / Niveau : 3 / Classique / Répertoire / SATB + Accompagnement

Dvorák, Antonín
Five Moravian Duets B 107
Arrangement for 4 Female Voices a cappella by the Composer
- First scholarly-critical edition
- The popular “Moravian Duets” in an arrangement by the composer
- Ideal for professional as well as amateur singers (female choir)
- With Foreword (Cz/Eng/Ger) and Critical Commentary (Eng) by the editor
Dvorák composed the cycl…

These well-known words seem endlessly fruitful for the composer and conjure up such lovely images which strike each of us in our own way. For me it was the beauty of the language with its flower imagery which made me want to set the words with richly warm harmony and to temper that with gently imitative refrains. The important element in approaching the performance of this carol is the blend and b…

Par STRAUSS RICHARD. 4 Voices, 16-part choir a cappella. Strauss, R./ Répertoire / 4 Solistes et Choeur Mixte (16 Parties)

Set in 3/4 and in D major, all four voices share the theme. A lovely string setting of this first known viola concerto! (4:30) / Orchestre A Cordes

Par L'ESTRANGE ALEXANDER (Arr.). When Cecil Sharp transcribed O Waly Waly in 1908, it bore this title but did not contain the title words (beginning instead with ‘Down in the meadows’). It has been suggested since that the version we know now may be a composite of three songs: the Scottish ‘Waly waly’ (meaning ‘a cry of woe or grief’), the Cecil Sharp transcript and an American song, The water is …

An introduction to linear time playing. The first section contains basic exercises for linear playing skills: voice coordination, dynamic balance, accenting, and more. The second section deals with the development of time feels in the linear style, including 4/4, half-time, shuffle, and odd meter feels.

nach Texten von Maurice Maeterlinck. Par ZEMLINSKY ALEXANDER. Two of Zemlinsky's representative songs from the early 20th century are presented here by editor Clytus Gottwald: Als ihr Geliebter schied, Op. 13 No. 4, and Und kehrt er einst heim, Op. 13 No. 5, in a transcription for five voices or chorus. Gottwald chose these as a logical pair, both dealing with 'parting and returning in vain,' yet …

Définie dans un compteur de 3/4 doux, cette berceuse sur un poème de Yeats exprime l'amour partagé entre sa mère et un enfant cultivé. Alternance de lignes entre une soprano solo et treble voices enrichissent le vocal couleur et la texture. / Soprano, 2 Partie(s) Voix Aigues (SA) Et Piano