Letters from X was composed in 1981, Fax from X in 2003, and For 51 to LI in 2009. Not only the instruments but also the performers - all three works are dedicated to Zoltán Gyöngyössy and István Lukácsházi, and they were the first to perform them - connect the three duets, which were composed with rather long intervals between them. A duet for flute and double bass is rather unusual, yet that is …

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined …

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined …

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined …

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined …

Fassung Iv. Par BACH JOHANN SEBASTIAN. with the unfinished revision [1739] an an appendix. The St. John Passion ranks among the great vocal works from Bach’s Leipzig years. In contrast to his other large-scale choral works, however, Bach never gave this work a definitive final form. Rather, for every performance he made numerous changes. All previous editions of the St. John Passion have combined …

Par BOBER MELODY. This collection of eight intermediate to late intermediate level piano solos is full of contrasts indeed! It is chock-full of student favorites which are also useful for recitals and festivals! Dreamland features a rather dramatic melody accompanied by arpeggiated left-hand chords. Set Sail! and Whirlwind Fantasy are lively and brisk tarantellas in 6/8 time. Straight River Rag is…

(Homage to Haydn). Par GOEHR ALEXANDER. My piece is subtitled ‘Homage to Haydn’. Why? Because it is modelled on Haydn’s Variations in F minor/major. But modelled does not imply pastiche or imitation. From Brahms onwards (if not before) there are countless examples of pieces modelled on others in a variety of ways. To do this does not imply a closeness to the original, rather inevitably a distance …

Par . A perennial favorite set of etudes among piano teachers and students worldwide, this is updated edition aligns with today's teaching practices. Works previously notated only on treble staves are notated an octave lower on treble and bass staves providing greater comfort and resonance of sound. Rather than early works notated as half notes and whole notes, they are notated with quarter notes …