Aus: Drei Motetten. Par MENDELSSOHN-BARTHOLDY FELIX. Inspiration for the Three Motets op. 39 was a visit to the romanesque church of Trinità dei Monti. On 20 Dec 1830 Mendelssohn wrote to his parents: 'The French nuns sing there, and it is wonderfully lovely. . . . Now, one should know one more thing: that one is not allowed to see the singers. Therefore I have come to an unusual decision: I will …

Maryland, My Maryland. Par HERZOG EDGAR. After initially introducing the theme in a mere „cloud of sound', the piece, then, starts off in a Cajun/New Orleans groove. All the voices have their solo spots. More and more independent voices join in falling into the groove and, thus, intensifying the tune: The woodwind family is in high Christmas spirits. Shortly after the climax - Is it the turkey or …

Symphonie-Kantate. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn describes to his friend Klingemann the 1840 work as 'a ‘symphony for chorus and orchestra’… First three symphonic movements, to which 12 choral- and solo- movements are appendaged; the words from the Psalms, and indeed all pieces, vocal and instrumental, are composed in the words ‘Everything which has breath, Praise the Lord’; one und…

Summerly Jeremy (Editor). Par SUMMERLY JEREMY. This substantial collection of medieval songs and carols for Upper Voices is a perfect introduction to the treasures of an extraordinary and colourful musical period, progressing from Celebration and Victory to Christmas via Spring, Annunciation and Passion. Containing the well-known Gaudete Ghristus Est Natus , Agincourt Carol and There Is No Rose as…

Par BRAHMS JOHANNES. This edition of Brahms' greatest, most ambitious vocal work is reprinted from the definitive edition of the composer's works, prepared by Breitkopf & Härtel of Leipzig. Inexpensive but sturdily constructed to provide years of pleasurable use, this full score combines all the musical parts in a clear, readable format, with wide margins, large noteheads, and many other helpful f…

Par BRITTEN BENJAMIN. Sacred and Profane consists of eight settings for unaccompanied voices of lyrics from RT Davis' collection of Medieval English lyrics, composed early in 1975 for Peter Pears and the Wilbye Consort of Voices. / Niveau : Elémentaire / Répertoire / Voix Mixtes

Par ARTHUR GEORGE. A calm and gentle homophonic setting with moments of melodic interest spread amongst the voices. The central section of the work is driven forward by a rhythmic ostinato in the alto and tenor parts. Varied choral colour provided by sections scored for full choir, divided choir to a few voices on just one part. Wide range of dynamic contrasts used to shape the meaning of t…

Par SOLANO JUAN. A special two-volume set of songs by the great Juan Solano Pedrero, arranged for Piano, Voice and Guitar. Working as a member of the hugely successful Ochaita, Valerio and Solano trio, the Maestro Solano developed his skills as a composer, and the group became responsible for some of the most celebrated songs of Spain. His works have been performed by many star voices including Co…

Par ESPLO HAAKON. Pineapple Punch, a lively, fun and lively piece of music with challenges for all instrumental groups. You have a great opportunity to work with both rhythm, articulation and understanding of style. Pineapple Punch is entertaining and suitable for any concert. The piece has a light Latin touch and is fun to play for the musicians. The first voices provide a challenge, while the lo…

Par DICKBAUER KLAUS. In the previous edition, Klaus Dickbauer covered major scales, triads, and interval exercises - combined with groovy beats - in a fresh and contemporary way. He now continues his well-thought-out approach to scales with a concentration on Dorian, Mixolydian, pentatonic, and blues scales - the perfect tools for building first improvisation skills on the recorder. Methodically s…