The text of Susanni is a translation of Martin Luther's hymn of 1535, Vom Himmel hoch . The music is based loosely upon the well-known chorale melody, which, at times, is quoted in full in both voices and organ. Except where indicated, singers should adopt a legato style, especially in the repeated quaver patterns. In the bars which appear to be in compound time, conductors should beat in crotchet…

for mixed voices. Carmina mundi.. 12 original compositions for mixed choir from Argentina, Brazil, Colombia, Chile, Ecuador, Peru, Uruguay and Venezuela. Choral arrangements of folk songs to traditional tunes, giving an impression of the multiplicity of rhythms and styles which are alive today in Latin America./ Répertoire / Choeur Mixte

Arr. Lorenzo Bocci. Par HENSON / SAM POTTLE. “It’s time to play the music. It’s time to light the lights. It’s time to meet the Muppets on the Muppet Show tonight. ” These lyrics opened the Muppet Show, which has been broadcast in over 100 countries around the world. The multi-talented Jim Henson was the creative inspiration for the show, developing the characters, providing some of the voices for…

Par BRITTEN BENJAMIN. For narrator, four solo voices and orchestra. Concert version of the radio drama The Rescue (1943) prepared by Christopher de Souza in association with Donald Mitchell and Colin Matthews. / Date parution : 1998-03-19/ Répertoire / Choeur

From the cantata King Olaf , with words by Longfellow. Arranged for trio of female voices (and piano accompaniment) by the composer. / Chant Et Piano

The Gibbons Hymnal contains the 17 hymn tunes composed by Orlando Gibbons for George Wither's The Hymnes and Songs of the Church (1623), many of which are still popular today. This is the first modern edition which incorporates Wither's hymn texts beyond the first verses. Gibbons composed treble and bass lines for the hymns - editor David Skinner has constructed the inner voices to create a collec…

This edition is more oriented to practical performance than the New Complete Critical Edition. From the range designations of the Lieder, one can see that, despite the transpositions, not all fifteen Lieder of a volume are suited to one and the same voice. The alternative pitches and easier passages written by Mahler often for only one of the voice ranges of a Lied (and not necessarily always for …

C Major. Par BEETHOVEN LUDWIG VAN. In Beethoven’s Triple Concerto, a piano trio provides the soloists – a first in the history of music. Beethoven’s treatment of the trio is pioneering: he does not apply a typical piano trio setting in contrast to the orchestra, but varies his treatment of the solo parts, allowing each instrument to play alone with the orchestra (particularly the cello), using two…

Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orche…

Par WINEHOUSE AMY. Valerie (Amy Winehouse) arranged for upper voices with piano accompaniment. This arrangement is taken from the popular Choir Rocks! series which offers flexible arrangements of contemporary pop hits. All pieces are written for soprano and alto, with an optional third part of limited range for baritone or low alto with straightforward piano accompaniments perfect for the amateur …