The pianist and composer Alexander Rosenblatt (*1956) from Moscow loves to cross frontiers, trying to overcome in his piano and chamber music works the rigid barriers between classical and jazz music. It was precisely in this spirit that he wrote his Tango for clarinet and piano. It is a virtuoso, exciting and quite effective piece which deliberately puts the possibilities of performance and sound…

Par LACHENMANN HELMUT. temA was written in the summer of 1968. In spite of Ligeti's “Aventures” it may be considered one of the first compositions in which the breathing plays a role as an accoustically transmitted energy process (Holliger, Globokar, Kagel, Schnebel and Stockhausen in “Hymnen” have already worked on this phenomenon independently of each other and from different points of view). Mo…

Par SAY FAZIL. This effective encore piece was written for the piano duo Lucas & Arthur Jussen. Virtuoso scales and percussive inside-piano effects put the gloomy and aggressive tonal world of the piano to the extreme for a romantic spooky scene in the night. / Niveau : Avancé / Répertoire / Piano 4 Mains

Concerto grosso for trumpet, tenor trombone and chamber ensemble. Par SCHNEIDER ENJOTT. The concerto takes the historical figure of the brutal impaler Vlad Tzepesch (1431-1476) as its starting point and subsequently develops the myth into an overwrought and gruesome piece of work: 1: “Oderint dum metuant” is a raving Allegro with a Baroque ritornello structure and modern “Draculisms”. 2: “Luna su …

Par JOLAS BETSY. 'Almost half a century after 'B for sonata', here is another musical evocation of my intriguing trip to Bali. Yannis Xenakis and Toru Takemitsu were there, among others, and we were walking around in the dark one evening when a Topeng appeared to us, in full action: Balinese musical theatre with one actor successively playing several legendary characters by means of mask changes c…

Par SILVERMAN ROB. Intended for the beginning drum student, this book contains many essential reading and playing skills for the snare and drumset. These studies are integrated in a logical, sequential order. For example, a new rhythm is introduced and studied on the snare drum, then later applied as a beat and then a fill. The same rhythm will appear later in the book for review and then in one o…

Par SCHWARTZ JAY . From the composer: “I composed Music for Saxophone and Piano for Harry Kinrose White in 1992. It is an early attempt in my work at magnifying the barriers between sound and silence, exploring the extreme ranges of pianissimo sounds in the saxophone that seem to appear without recognizable transition out of nothing. Glissandi, sliding tones, have always fascinated me, and in this…

Par MANOOGIAN V.. Foundations of double stops (šThirds›), 3rd / Fundamentos de dobles cuerdas, šTerceras› Fundamental left hand technique is base don the release of finger pressure. This basic technique is of extreme importance for it facilitates interval changes and shifting. / Pédagogie / Recueil / Violon

Une méthode incontournable pour savoir jouer comme les guitaristes de groupes célèbres! Green Day, U2, Téléphone, Led Zeppelin, Jimi Hendrix, ZZ Top, Metallica, AC/DC, Eddie Van Halen, John Lee Hooker, Stevie Ray Vaughan, Buddy Guy, BB King, Robben Ford, Eric Clapton, Rage Against The Machine, Red Hot Chili Peppers, Extreme, Collective Soul, Nirvana, Faith No More, Lenny Kravitz, Prince. Pour vo…