| String Quartet F Major Op. 96 Quatuor à cordes: 2 violons, alto, violoncelle G. Henle
After a twelve-year interval, Dvo?ák once again turned his attention to the string quartet in summer 1893. He had been musical director in New York since autumn 1892 and spent the summer in Spillville (Iowa) where a group of Czech immigrants had settled, thus making him feel at home. The beautiful natural surroundings led him to write this unconventional string quartet in the tradition of Beethove…
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| Methode - Le Petit Flutorama + Cd Flûte traversière [Partition + CD] Hit Diffusion
Le Petit Flûtorama ( CD) est un répertoire de morceaux tous styles pour flûte traversière, niveau tout débutant.
Avec ce recueil, les flûtistes débutants pourront apprendre tout en jouant du classique, des musiques de films, de la variété et du traditionnel.
En tout, 30 titres spécialement arrangés pour que les débutants jouent avec plaisir leurs premiers airs à la flûte traversière, avec en…
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| More Grade 2 Piano Solos Piano seul [Partition] Chester
This collection contains More Grade 2 Piano Solos specially arranged for pianists at a Grade 2 standard.From classical pieces to pop hits and songs from film and TV, this book contains something for everyone and each solo has been carefully selected with the specifications of the major exam board grades in mind.Together the 16 pieces form an enjoyable Piano songbook that offers valuable supplement…
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| String Quartet #2 B-Flat Major B 17 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur d'étude / Miniature] Barenreiter
Like Dvorák's third and fourth quartets (in D major and E minor respectively), String Quartet #2 in B-flat major was probably composed between 1868 and 1870, when the young and still inexperienced composer was openly responding to stimuli from his musical surroundings and excitedly adopting new compositional techniques. All three quartets were long considered lost - it was even said that Dvorák de…
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| Gaelic Suite Quintette à cordes: 2 violons, alto, violoncelle, basse Barenreiter
Dvorák's 'String Quintet in G major? op. 77, had five movements when it was premiered on 18 March 1876. Its second movement was the 'Intermezzo? from his 'String Quartet in E minor? (1870). Later Dvorák removed this movement from the quintet, expanded it, and published it as a separate 'Notturno? for string orchestra op. 40. The 'Intermezzo? is included in its original version in the appendix of t…
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| String Quintet G Major Op. 77 Quintette à cordes: 2 violons, alto, violoncelle, basse Barenreiter
Dvorák's 'String Quintet in G major? op. 77, had five movements when it was premiered on 18 March 1876. Its second movement was the 'Intermezzo? from his 'String Quartet in E minor? (1870). Later Dvorák removed this movement from the quintet, expanded it, and published it as a separate 'Notturno? for string orchestra op. 40. The 'Intermezzo? is included in its original version in the appendix of t…
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| Stabat Mater Chorale SATB SATB, Orchestre Barenreiter
/ S, A, T, B, Choeur Mixte A 4 Voix Et Orchestre
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| String Quartet F Major Op. 96 [American Quartet] Quatuor à cordes: 2 violons, alto, violoncelle G. Henle
After a twelve-year interval, Dvo?ák once again turned his attention to the string quartet in summer 1893. He had been musical director in New York since autumn 1892 and spent the summer in Spillville (Iowa) where a group of Czech immigrants had settled, thus making him feel at home. The beautiful natural surroundings led him to write this unconventional string quartet in the tradition of Beethove…
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| DVORAK A. - QUATUOR A CORDES OP.61 - SCORE Musique de chambre G. Henle
Antonín Dvorák Quatuor à cordes en Ut majeur op. 61 Peter Jost (Editeur) Edition Urtext, Studien-Edition (partition de poche), reliure paperback Composé à l’automne 1881, l’opus 61 est le dernier des quatuors de Dvořák appelés, chronologiquement parlant, quatuors «du milieu», et dont les modèles déterminants furent Beethoven et Schubert. Dans cette œuvre en Ut majeur, c’es…
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| Piano Quartet E-Flat Major Op. 87 Piano Quatuor: piano, violon, alto, violoncelle Barenreiter
Vers la fin du 19ème siècle le quatuor avec piano a été établi comme un genre à part la chambre sophistiquée musique. Il n'est donc pas surprenant que l'éditeur Fritz Simrock demandé Dvorák pour une nouvelle contribution au genre.Le Quatuor avec piano deuxième mi bémol majeur op. 87 a été composé durant l'été de 1889 au cours d'un torrent de la créativité: 'Ma tête est si pleine, si un être humain…
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| Classic Musical Moments with Theory In Practice Grade 5 (YEO HELEN) Piano seul [Partition]
Par YEO HELEN. This book is a compilation of timeless classics, simplified and aimed to build the skills, agility and tonal control of late intermediate pianists, in order to assist the transition into advanced level. Theory exercises are included after each song, for the pianist to make a practical/theory connection. / Methods and Tutors / Recueil / Piano
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| Piano Trio #3 In F Minor Op. 65 Piano Trio: piano, violon, violoncelle G. Henle
Dvo?ák worked longer and more intensively on this Trio than on just about any other chamber music work. After his first successes with pieces inspired by Czech folk music, namely the popular Slavonic Dances (HN 757 and 918), he now wanted to prove himself as a composer of the highest order. This is why in the following summer, he thoroughly reworked the Trio that he had written within eight weeks …
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| From The Bohemian Forest For Piano Duet Op. 68 1 Piano, 4 mains [Partition] Barenreiter
'From the Bohemian? Forest, a set of six character pieces for piano duet, was written at the turn of the year 1883-84 at the instigation of Dvorák's publisher Fritz Simrock and appeared in print in the spring of 1884.After the 'Slavonic Dances? and 'Legends?, this was already his third cycle of piano duets to be inspired by much-loved locations.This edition presents the musical text from the 'Comp…
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| String Quintet E-Flat Major Op. 97 Quatuor à cordes: 2 violons, alto, violoncelle Barenreiter
Le Quintette à cordes en mi bémol majeur, Op. 97 (avec deux altos) est le troisième Dvorák oeuvres composées sur le sol américain.'A partir de trois ensembles de ce quintette, nous pouvons dire qu'ils reflètent l'influence de la musique américaine et de la vie en Amérique du compositeur', a écrit le 7 Janvier 1894, le critique musical américain Henry Krehbiel. L'utilisation de certains éléments mé…
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