Choralkantate. Par HERZOGENBERG HEINRICH VON. Reprint of the first edition. Friedrich Spitta recommended to Herzogenberg that he set Gerhard Tersteegen’s text “Gott ist Gegenwärtig” on the occasion of that poet’s 200th birthday. Besides the obbligato organ, Herzogenberg restricted the instrumentation to strings, two trumpets, three trombones and timpani, and thus achieved a majestic quality which …

Choralkantate. Par HERZOGENBERG HEINRICH VON. Reprint of the first edition. Friedrich Spitta recommended to Herzogenberg that he set Gerhard Tersteegen’s text “Gott ist Gegenwärtig” on the occasion of that poet’s 200th birthday. Besides the obbligato organ, Herzogenberg restricted the instrumentation to strings, two trumpets, three trombones and timpani, and thus achieved a majestic quality which …

Choralkantate. Par HERZOGENBERG HEINRICH VON. Reprint of the first edition. Friedrich Spitta recommended to Herzogenberg that he set Gerhard Tersteegen’s text “Gott ist Gegenwärtig” on the occasion of that poet’s 200th birthday. Besides the obbligato organ, Herzogenberg restricted the instrumentation to strings, two trumpets, three trombones and timpani, and thus achieved a majestic quality which …

Choralkantate. Par HERZOGENBERG HEINRICH VON. Reprint of the first edition. Friedrich Spitta recommended to Herzogenberg that he set Gerhard Tersteegen’s text “Gott ist Gegenwärtig” on the occasion of that poet’s 200th birthday. Besides the obbligato organ, Herzogenberg restricted the instrumentation to strings, two trumpets, three trombones and timpani, and thus achieved a majestic quality which …

Choralkantate. Par HERZOGENBERG HEINRICH VON. Reprint of the first edition. Friedrich Spitta recommended to Herzogenberg that he set Gerhard Tersteegen’s text “Gott ist Gegenwärtig” on the occasion of that poet’s 200th birthday. Besides the obbligato organ, Herzogenberg restricted the instrumentation to strings, two trumpets, three trombones and timpani, and thus achieved a majestic quality which …

Par CAPPELLARI ANDREA. Arrangement and Orchestration by Andrea Cappellari. Full score and 16 instrumentals parts : 1) C Instr. (Recorder) / 1) C Instr. (Flute, Violin) / 1) Bb Instr. (Clarinet, Soprano Sax, Trumpet) / 1) Eb Instr. (Alto Sax) / 2) C Instr. (Recorder) / 2) C Instr. (Flute, Violin, Oboe) / 2) Bb Instr. (Clarioprano Sax, Trumpet) / 2) Eb Instr. (Alto Sax) / 3) C Instr. (Violin, Viola)…

Cappellari Andrea (Arr). Par CAPPELLARI ANDREA. Arrangement and Orchestration by Andrea Cappellari. Full score and 26 parts: 1) C Instr. (Violin, Flute) / 1) Bb Instr. (Clarinet, Soprano Sax., Trumpet) / 2) C Instr. (Violin, Flute) / 2) Bb Instr. (Clarinet, Soprano Sax., Trumpet) / 3) C Instr. (Violin, Viola) / 3) Bb Instr. (Clarinet, Soprano Sax.,et) / / Niveau : Intermédiaire / Répertoire / Ens…

Ce réglage des hymnes nous nous réunissons (Kremser) et Stand Up, Stand Up pour Jésus pour quintette de cuivres s'efforce de maintenir l'intégrité d'origine et la majesté des hymnes tandis fréquemment plonger dans un nouvel accompagnement et fraîche. Ils peuvent être utilisés efficacement comme un accompagnement congrégation ou stand alone comme un hymne quintet en solo en laiton de louange. / Qui…