Par . Taking guitarists through the early steps of learning notation and fretboard knowledge, this book is the ideal introduction to learning the guitar for beginners. This volume works equally well for Electric and Acoustic guitarists. Through a series of engaging and contemporary playalong pieces and exercises, each element is progressively introduced, with handy tips and ?Did you know'? boxes t…

The Drummer's Bible of Embellishments. Par ROTHMAN JOEL. WHAM, BAM, FLAM! The Drummer’s Bible of Embellishments. Rudiment embellishments such as flams, drags and ruffs bring a more interesting and exciting sound to their primary note. They’re used by drummers in all types of music including rock, jazz, latin, marching & ethnic music. This book presents an in-depth study of these very practical and…

New Edition. Par HARRIS PAUL. Firmly rooted in Paul Harris's Simultaneous Learning approach, this new edition of Improve your sight-reading! Bassoon Grades 1-5 is designed to help overcome all the stumbling blocks to successful sight-reading. Step by step you will build up acomplete picture of each piece, firstly through rhythmic, melodic and technical exercises, then by studying prepared pieces a…

A Requiem For Victims Of Power. Par CUOMO DOUGLAS J.. The text for this piece is derived from the Epistle to the Reader of Sir Thomas Browne’s Hydriotaphia, (1658). Subtitled Urn Burial, the essay is a reflection on the discovery of a Roman urn burial site in Norfolk and the practice of disinterment. I compiled the text by redacting (i.e. eliminating) many of the words of the original, leaving beh…

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Here, as also in his earlier 'Litte Credo Mass' KV 192, Mozart made use of a church music device which can be traced back in south-German and Austrian church music to the beginning of the 18th century: frequent repetition of the opening words of the 'Credo'. This presupposes that the setting of the words of the intonation 'Credo in unum Deum' as part …

With this newly-edited, complete edition of the essential book of practice exercises, The Virtuoso Pianist In Sixty Exercises is intended to help pianists acquire essential technical and practical skills. The music and text have been updated with a sleek, modern design and the Download Card features audio demonstrations of every exercise.When Charles Hanon first published these sixty exercises in …