The young have the future. This is the statement made at the beginning of ‘Like a Child’ by Andreas Ludwig Schulte. The opening radiates strength and ambition but one is also made to wonder which direction will be chosen which choices will have to be made.After the introduction the first steps on the path of life are taken still somewhat unsteadily (the 3/4th time used illustrates this unce…

PrefaceThe three movements of the quartet may be perceived as three different expressions of an unstable core: an inherent unrest leads to frequent changes of direction. The first movement is full of dramatic contrasts; it is followed by a second movement whose basic mood of meditative rest is challenged by occasional centrifugal utbursts while the third movement takes the inherent conflicts to…

By popular request these songs and pieces from the 5 volume English edition (by Margaret Murray) of Carl Orff and Gunild Keetman???s ???Schulwerk??? are now available in CD format. Singers and speakers are from a variety of English Welsh and German schools with professional musicians playing instruments. The Schulwerk idea is one that transplants well founded as it is on the basic elements of l…

A Manual of Techniques and Possibilities for the Adventurous Improvising Musician. Par KANE DAVID. Sure - everybody has an opinion on how to play ?outside?. But until now, no one has made an in-depth exploration of the commonalities and differences in how the greatest jazz players on the planet have incorporated their inspiring, harmony defying techniques. With Playing Outside the Chord, David Kan…

Par CAFARO PASQUALE. Pasquale Cafaro, born in S. Pietro in Galantina in 1715; he was directed by his family to 'scientific' studies (science of law) but soon abandoned them for musical ones. He then entered the Conservatorio della Pietà de' Turchini as a son at the age of 18, almost as an adult. His main teacher was one of the greatest musicians of the 18th century, Leonardo Leo, who immediately r…