Salieri, Antonio Prima la musica e poi le parole Divertimento teatrale in one act Details Edition no.: BA 8811-90 ISMN: 9790006542826 Editor: Betzwieser, Thomas / La Salvia, Adrian Arranger: Müller, Karl-Heinz / Schellevis, Hans Language(s) of work: German, Italian Language(s) of text: German, English Product format: Piano reduction, Urtext edition Comments: Replaces BA 7698-90 Binding: Paperbac…

'Verse 1' marks the beginning of a more ambitious and intense style of composition. The ideas are relatively simple and develop gradually in a cyclic fashion within a one movement sectional design. Progressively faster tempi leadto the main climax of the work near the end of the piece. Then a short coda leads to a very quiet ending and a return to the original tonal centre of C.Quoting composer:'…

Oratorio in three acts. Par HAENDEL GEORG FRIEDRICH. Handel composed Samson directly after completing the 'Messiah'. After its premiere in 1743 in the Covent Garden Theatre in London, the work rapidly became one of the composer's most successful oratorios alongside 'Esther' and 'Judas Maccabaeus'. This probably had as much to do with the popular Old Testament story of the libretto as with Handel's…

A Study In Jazz Accompaniment-This book/CD set presents a clear comprehensive one-step-at-a-time method for learning how to accompany an improvised jazz solo. As a sequel to Hal Crook’s text 'How to Improvise' How to Comp offers precise explanations practical exercises recorded musical examples four play-along tracks and daily practice routines. How to Comp organizes a vast amount of …

Compiled by Joseph Canteloube this book is the first set from the series Chants D'Auvergne. It features three songs including the most famous one “Báïlèro”. This edition written for Voice and Piano contains lyrics in the local dialect “Occitan” with the French translation below. Some directives are given to obtain the correct pronunciation of the language. I. La Pasto…

Par SWERTS PIET. Chain was composed between June and August 2000 as the test piece for the 2002 European Brass Band Championship. The composer’s idea was to compose a one-movement piece - a work that starts mysteriously and develops in various directions. As his basic material, he chose a figure that is the abbreviation of the European Brass Band Championship: EBBC. This figure is developed in a c…

This second book of solos is a direct continuation of the first. It takes students to a point where they can begin to tackle the standard sonata and concerto repertoire. The book is designed to cover many of the technical problems encountered by the intermediate horn player and later pieces introduce important techniques such as hand-stopping and the bass clef. As with book one, many pieces are o…

Aulos I to a certain degree continues Orbán's easy piano pieces for children, which he composed for Ágnes Lakos's piano tutor and which Editio Musica Budapest published in a separate volume entitled Enchanted Forest in 2011 (Z14742). Yet on this occasion the composer took on something which was both significantly different and more than his earlier pieces for children. On the one hand, he did not …

Johann Joachim Quantz's On Playing the Flute has long been recognized as one of the primary sources of information about eighteenth-century performance practice. In spite of its title it is not simply a tutor for the flute but a fully-fledged programme for training musicians of all types with detailed information on intonation ornamentation dynamics the 'duties' of the various accompanying p…

This companion CD will assist harp players in learning the pieces in the 50 Irish Melodies for All Harps book. Since many will want to ?play along? as they learn Sylvia has recorded most of the pieces slowerthan they are usually played and as ?straight? as possible with little or no expression or rhythmic variations. Each piece has two arrangements: (A) an easy version and (B) one that is more d…