Par WENIGER PETER. This CD (including music booklet) has not especially been worked out for the use in musical education. It is, on the contrary, an audio CD which has been recorded for sale as a trio CD under my name. Mixing the recordings at the studio, however, gave us the idea to offer this CD Legal Paradizer also as a play along CD. For this reason I have never taken a pedagogic approach to t…

Tom Fettke présente un hymne à la fois de majesté et de confort. Il offre étendue de l'assurance dans le temps de la tribulation et la fermeté dans les temps d'appel pour son dévouement. Les parties chorales de soutenir le pouvoir du texte et de l'accompagnement est dramatique et énergique sans être envahissant. C'est la promesse d'un endroit frais, flux de rajeunissement pour les temps désertique…

The Crash Course: Keyboard is a tuition method designed to allow you to learn the Keyboard in just 8 weeks. This fast-track guide will help you develop technique and style on the Keyboard, taking you from novice to competent performer day-by-day. The included audio download features demonstrations of every exercise.Crash Course Keyboard requires a commitment to learning, but features daily lessons…

Psalm 117. Par GILL JOANNA. In this setting of Psalm 117 the composer has created an unusually serene and ethereal setting considering the meaning of the text. Most composers that have written settings of this Psalm 'Praise the Lord, all you Nations' have written music of a robust nature and celebration. However, this setting not only uses Hebrew text but the whole composition with the exception o…

Composer : Stamitz, AntonInstrumentation : Va,KlavEdition : Piano and soloEditor : Lebermann, W.;Haverkampf, U.

Composer : Kraus, Joseph MartinInstrumentation : Vl,KlavEdition : Piano and soloEditor : Lebermann, W./ Haverkampf, U.

Nach Klavierstücken Aus Dem 'Mikrokosmos'. Reprint Der Erstausgabe. Par BARTOK BELA. Against the venture of making accessible to the organ piano compositions by Bartók one can, I admit, put forward not only the reasons which oppose any kind of transcript on whatsoever, but also those which have their origin in the imcompatibility of profane organ writing with the world of the organ. One must, howe…

Although Schumann's first attempts at composing for this supreme form of chamber music in 1838/39 were only fragments, the three String Quartets op. 41 in a minor, F major and A major were written in one go in June/July 1842. At the first private performances the audience was enthusiastic and it was Mendelssohn's praise in particular that occasioned Schumann to dedicate the new works to him. The c…