Score Parties. Par BEETHOVEN LUDWIG VAN. The Trio for Three Flutes here presented appeared in 1964, when Jean-Pierre Rampal acquired a non-original manuscript of this work in the Czech Republic. Attributed to an early period for its light character and instrumentation, the Trio was taken into serious consideration by Beethoven scholar and redactor of arguably the most complete of Beethoven's cat…

Par UEBAYASHI YUKO. Contemporary Japanese composer, Yuko Uebayashi moved to Paris in 1998. Uebayashi 's works have been met with much success in both Japan and France, Suite For Flute And Cello being no exception. Flautist, Jean Ferrandis described Uebayashi 's music as 'gems that, although they are so different, they yet belong to the same world, a world of vivacity, dreams, tenderness, humour, a…

Par CHILCOTT BOB. for SATB and piano In another successful collaboration between Bob Chilcott and poet Charles Bennett, Lightwaves sees the exploration of light, in its many forms and uses, from stars to electricity and photosynthesis. Piano andvoices are used pictorially, in a musical setting that contrasts moments of high energy and tranquility./ Répertoire / Choeur Mixte SATB et Piano

Op. 86. Par BEETHOVEN LUDWIG VAN. ?But, dear Beethoven, what have you done again'? Even if the authenticity of this statement, which was quoted by Anton Schindler, may be doubted, it reflects quite well the confusion that the Mass in C may have caused its commissioner, Prince Nicholas II Esterházy, in 1807. Unconventional for those times, here Beethoven opened up entirely new worlds of expression …

Par BACH JOHANN SEBASTIAN. Arranger's Note - An edition of music, like anything else, is a product of its own time. During the 1980s, guitarists of my generation were starting to become aware of stylistic concerns in the interpretation ofearly music. There was a movement towards stylistic authenticity, an attempt to re-discover the original intentions of early composers and recreate the aesthetic …

Excerpts from Movement 1. Par MOZART / STEPHEN BULLA. Mozart belongs to everyone! The experience of actually playing Mozart's music makes him real and more than just a name we associate with old music. Stephen Bulla's arrangement of the first movement of what may arguably be Mozart's greatest symphony has a great deal of authenticity. Much more than many 'just the tune' type transcription/ arrange…

Arr. Mike Hannickel. Par MOZART WOLFGANG AMADEUS. Any list of Mozart's greatest works should include this overture. Loved by millions, Mozart's Magic Flute is remarkable for so many reasons and worthy of study by every musician! Why should we deny young band students the joy of playing Mozart just because they don't happen to use a bow on their instruments? Mozart belongs to Everyone ! Skillfully …

Par FERNANDEZ MICHELE. Having written this for her son in 1998, composer Michele Fernández brings us this highly emotional and rewarding work for jazz ensemble. The nostalgic opening solo section (which is optional) leads to a sizzling salsa groove which gradually intensifies throughout. The distinctive melody is complemented with lushly scored countermelodies, and all rhythm section parts are car…

Arr. Douglas Court. Par MOZART WOLFGANG AMADEUS. It has been said that the magic of Mozart’s music lies in its ability to truly and purely express the inner self. This delightful Grade 21/2 adaptation of a well-known theme from The Magic Flute will help your young musicians gain a deeper understanding of Mozart and the amazing gift that made him the incomparable master of flawless composition. In …