In Fa Op.X N.5 - Rv 442, F.Vi-1 - Tomo 46 - . Par VIVALDI ANTONIO. Vivaldi's Concerto in F RV 433 for Flute, Strings, and Basso Continuo. Called in both cases 'La tempesta di mare, ' the work's opening Allegro has a characteristic thumping unison repeated-note theme with the flute soloist trading short lines in imitation with the orchestral violins in the outer sections and warbling maniacally abo…

Par BUXTEHUDE DIETRICH. This setting of Luther’s hymn perfectly typifies the basic concept of a chorale cantata as Buxtehude probably envisaged it. The first two verses are set, line by line, in a four-part homophonic texture. The two violins add interludes to the chorale, and lead in a kind of ritornello to the next verse. In the third and last verse Buxtehude departs from this model as the violi…

Motet for 4 Voices, 2 Violins, Viola, Bass and Org. Par MOZART WOLFGANG AMADEUS. Motet For 4 Voices, 2 Violins, Viola, Bass And Org / Niveau : 3 / Classique / Répertoire / SATB + Accompagnement

for 3 Violins, Strings and Basso Continuo. Par TELEMANN GEORG PHILIPP. Concerto in F major for 3 Violins, Strings and Basso continuo TWV 53:F1 Tafelmusik II If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment change…

Par BUXTEHUDE DIETRICH. This setting of Luther’s hymn perfectly typifies the basic concept of a chorale cantata as Buxtehude probably envisaged it. The first two verses are set, line by line, in a four-part homophonic texture. The two violins add interludes to the chorale, and lead in a kind of ritornello to the next verse. In the third and last verse Buxtehude departs from this model as the violi…

Ed. G.F. Malipiero - 3 Vl 1, 3 Vl 2, 2 Vla, 2 Vc,CB, Trp1, Trp2, Harpsichord. Par VIVALDI ANTONIO. Contains: 3 Violins I - 3 Violins II - 2 Violas - 2 Cellos - 1 DoubleBass - 1 Trumpet I - 1 Trumpet II -1 Harpsichord/ Répertoire / Matériel D'Orchestre

Perfect for advanced players and very true to the original. Shifting is required for 1st violins, cellos, and basses, while 2nd violins and violas get exceptionally rich parts of 16th notes and melody throughout. This short but energetic dance will make an excellent closer for any concert. (4:00) / Orchestre A Cordes

Par BACH JOHANN SEBASTIAN. Wie Schön Leuchtet Der Morgenstern (How Bright And Fair The Morning Star) BWV 1. Cantata for the Feast of Annunciation Day. The cantata “ Wie Schön Leuchtet Der Morgenstern ” BWV 1 was written for 25 March 1725, when the Feast of the Annunciation of the Blessed Mary coincided with Palm Sunday. It forms the conclusion of Bach ’s cantata cycle of 1724/25. The anonymous lib…