| Keyboard Works (HAENDEL GEORG FRIEDRICH) Clavier ou Orgue Electronique [Partition] Dover Publications
Par HAENDEL GEORG FRIEDRICH. Here, for the first time in a popularly accessible edition, are 35 of his finest keyboard works for solo instruments, reproduced from the monumental Deutsche Handelgesellschaft edition, including eight 'Great Suites' and 'Fugue In A Minor'. For this new edition, the pieces have been rearranged and retitled according to the latest scholarly sequences found in The New Gr…
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| Dido and Aeneas Solistes, SATB et Piano Bärenreiter
Par PURCELL HENRI. The opera “Dido and Aeneas”, a recount of the well-known story from Book IV of Virgil's Aeneid, has established itself as a favourite with the public. This is due to the skill of composer Henry Purcell and his librettist Nahum Tate, who combined an overriding tragic theme with masterfully inserted comic episodes. Long believed to have been conceived in 1689 for a performance at …
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| Concerto Per Violino, Archi E Bc, Rv 259 Op. Vi/2 (VIVALDI ANTONIO) Violon, Ensembles de Cordes et B.C. Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…
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| Stabat Mater In G Minor D 175 (SCHUBERT FRANZ) Chorale SATB SATB, Piano [Partition] Barenreiter
Arrangeur: Andreas Köln. Par SCHUBERT FRANZ. Franz Schubert's 'Stabat Mater” D 175 is one of a number of church works that he wrote for his local congregation in Lichtental.
This edition is based on the sole surviving source, the composer's autograph full score. Unlike its like-named companion piece D 383, Schubert uses the original Latin poem here. In his setting of April 1815 he focuses on the …
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| Violin Sonatas, Fragments Violon et Piano G. Henle
This Urtext edition contains rewarding discoveries for all lovers of Mozart. Mozart left behind a total of eight unfinished works for piano and violin, predominantly discontinued sonata movements. The music is so wonderful that we have published a separate volume with this group of works - all of which (aside from a fragment in the appendix to our edition) have been completed so that they can be p…
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| Concerto Per Violino, Archi E Bc, Rv 280 Op. Vi/5 (VIVALDI ANTONIO) Violon, Ensembles de Cordes et Basse Continue Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…
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| Deutsche Messe (SCHUBERT FRANZ) Chorale SATB [Partition] Barenreiter
Par SCHUBERT FRANZ. Franz Schubert’s popular German Mass of 1827 follows in the footsteps of Michael Haydn’s work Deutsches Hochamt by turning to a German translation of the Ordinary mass. Its homophonic texture and largely syllabic setting of the words make it more accessible to lay choruses than Schubert’s masses in Latin, an advantage reinforced by its diatonic melodic writing and constantly sl…
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| Ascension Oratorio Bwv 12 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourf…
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| Concerto Per Violino, Archi E Bc, Rv 324 Op. Vi/1 (VIVALDI ANTONIO) Violon, Ensembles de Cordes et Basse Continue Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…
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| Concerto Per Violino, Archi E Bc, Rv 239 Op. Vi/6 (VIVALDI ANTONIO) Violon, Ensembles de Cordes et Basse Continue [Conducteur] Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…
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| Faust Opéra Barenreiter
'Faust? stands for the composer Gounod himself, who was torn between the expression of excessive sensuality and a deep spirituality which he was searching for in his Catholic faith. As such, in this most important musical setting of Goethe's drama, the work was given a deeply personal interpretation. With a detailed Foreword (Fr/Eng/Ger) this new edition presents the genesis of the work with its v…
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| Ascension Oratorio Bwv 16 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio'), Bach reveals a special fondness for colourf…
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| Concerto Per Violino, Archi E Bc, Rv 216 Op. VI/4 (VIVALDI ANTONIO) Violon, Ensembles de Cordes et B.C. Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…
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| Sonata For Piano - Bb Major KV 570 Piano seul Wiener Urtext
At first glance, this work may be eclipsed by its older sister in B major, KV 333. But Mozart's Sonata KV 570 is by the far the more popular work, especially in piano lessons. This may be due to its more moderate technical demands, on the one hand, and to the large variety of musical facets of Mozart's piano style with which this sonata comes up in relatively manageable dimensions, on the other ha…
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| The Ceilidh Collection - Violon and Piano (+cd) Violon et Piano [Partition + CD] Boosey and Hawkes
The Ceilidh Collection (New Edition) Complete Edition Traditional Fiddle Tunes from England, Ireland and Scotland Editor: Huws Jones, Edward Edward Huws Jones' popular series of traditional fiddle repertoire, now available with expertly-recorded audio CD. Containing colourful instrumental backing tracks and full demonstrations, the new audio resource will aid and inspire your private p…
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| 3 Uncharacteristic Pieces Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Bach composed his oratorio for the Feast of the Ascension in Leipzig in 1735. Though this work has the duration of a cantata, the choice of text places it among the oratorios. It combines the biblical account of the Ascension with chorales and free madrigal poems.As in other works which were composed during this same year (e.g. the 'Christmas Oratorio?), Bach reveals a special fondness for colourf…
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| Requiem - Op (REGER MAX) Soli, choeur mixte et accompagnement Carus Verlag
Par REGER MAX. Separate edition from Volume 11, 'Lieder und Chorwerke' of the Max Reger Hybrid Edition of Works.Among other things, this volume from the Reger Hybrid Edition contains the piano reductions of Reger's choral symphonic works which were prepared between 1903 and 1914: Gesang der Verklärten (Song of the Transfigured) op. 71, Psalm 100 op. 106, Die Nonnen (The Nuns) op. 112, Der Einsiedl…
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| Lobgesang / Hymn of Praise Op. 52 MWV A 18 (MENDELSSOHN-BARTHOLDY FELIX) Voix et Orchestre [Partition] Barenreiter
Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn's contemporaries frequently mentioned his 'Hymn of Praise” in the same breath as Beethoven's Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper, in his extensive Introduction to this new Urtext edition, shows that the comparison is completely unfounded: with this work Mendelssohn created a new genre to which he…
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| Concerto Per Violino, Archi E Bc, Rv 318 Op. Vi/3 (VIVALDI ANTONIO) Violon, Ensembles de Cordes et Basse Continue Ricordi
Ed. Critica A. Borin. Par VIVALDI ANTONIO. Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest – even to assume that the collection wa…
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