für leicht fortgeschrittene Spieler, mit Online-Videos. Par GIORDANI DANIEL. / Date parution : 2022-11-08/ Méthode / Handpan

Par MARTINEZ-CAMPOS JAVIER. Sonata pour violoncelle et piano, composée en 2016 est dédiée au grand violoncelliste français Gautier Capuçon. Cette pièce en trois mouvements dure environ 19 minutes. Le premier mouvement, au caractère énergique, est de forme sonate traditionnelle. Le deuxième, lent et expressif, est de forme Lied. Le troisième et dernier, un rondo virtuose et pétillant. Le premier…

Par IWAN EWA. The first steps for 1-3 violins and piano is another collection of works by Ewa Iwan for beginner violinists. It includes short songs about violin strings and the sounds that can be played on them, melodies with piano accompaniment, and two pieces for 1-3 violins and piano. Imaginative titles will certainly inspire young violinists to explore the world, not only in terms of music. / …

pour harpe. Par ATTAHIR BENJAMIN. / Date parution : 2022-11-08/ Répertoire / Harpe

Par GASIENIEC MIROSLAW. The first version of the Sonata for violin and piano was written in the autumn of 2008, when I had the opportunity to work with the violinist Robert Bachara, who was pursuing his doctoral studies at Wroclaw Music Academy. A few years later, around the turn of 2016, I revised the musical material, made some changes and shortened the work. It was then that Dr Jacek Ropski, a …

for Harp. Par VAJDA GERGELY. 'Come un meccanismo di precisione' (like a precision machine) - as György Ligeti wrote above one of his works. The two harp pieces by Gergely Vajda (*1973) also approach the instrument as a machine, moreover, as a machine that can produce several sounds and noises and create a specific polyphony from them. The two movements, composed in 2020 and 2022, are dedicated to …

Par KRZANOWSKI ANDRZEJ. Composed in Czechowice-Dziedzice, in 1984, Relief I for accordion opens a cycle of nine works for solo or chamber forces. This work is of a sarcastic character, and its multi-segmented form consists of the alternating of dissonant ?quick? segments, dominated by sevenths, with two-part dolce segments led in contrary motion, as well as series of chords repeated with a surpris…

Par KRZANOWSKI ANDRZEJ. Relief VII (1988) is a composition in which we can hear echoes of phrases contained in Programme no. 6 and Relief IV. This time they are evoked by tubular bells in secundal-tritonal motifs and, in general, by other percussion instruments. The accordion part is dominated by the narrative of unrestrained repetition, often based on broken ninth structures, ending with four sil…