Arrangeur: Robert Rainford. Par BRUCH MAZ. 7 short, melodic pieces with chances for both soloists to shine. Max Bruch (1838-1920) was a German Romantic composer, conductor and teacher. A child prodigy, he composed his first pieces at the age of nine, and went on to hold musical posts in Mannheim, Berlin and Bonn. He also spent three seasons as conductor of the Liverpool Philharmonic Society. In hi…

Par WINTER R. / ARCH G.. The Faber Young Voices series is devised specifically to address the needs of young or newly-formed choirs looking for easy, yet rewarding new repertoire. Slade's big hit Merry Christmas, Everybody is joined by The Virgin Mary Had A Baby Boy and the popular Do You Hear What I Hear? , in irresistible arrangements guaranteed to make your Christmas concert truly take off with…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

A Portrait Of Master Guitarmaker Robert Benedetto. Par DOYLE WILLIAM. Over 4 hours of content on 2 DVDs featuring: A two-hour documentary of Bob Benedetto including a complete biography, interviews with family, friends, players and industry professionals, archtop guitar construction/innovations, and his relationship with Fender Musical Instruments and The Benedetto Players. The Making of Anima e C…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Robert D. Vandall's four duet fantasies on classic carols have now been compiled into one spectacular collection. These extended fantasies incorporate exhilarating rhythms and unexpected harmonic changes, making them fantastic performance vehicles for early intermediate to late intermediate pianists. Careful balancing of the primo and secondo parts gives both performers a chance to shine. Titles: …

Voici trente ans que le conte musical de Philipe Chatel existe et il n'a rien perdu de son charme lunaire. Entre Le Petit Prince et Alice au pays des merveilles, Émilie Jolie raconte l'histoire d'une petite fille aux cheveux dorés comme un champ de blé qui s'imagine un monde merveilleux pour fuir sa peur du noir. Un soir, tous les personnages de son livre d'images prennent vie : des lapins bleus, …

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Par BREWER HERBERT A.. Organist of Gloucester Cathedral from 1896 till his death in 1928, as well as composer, choir-trainer, adjudicator and teacher, Sir Herbert Brewer was involved for over three decades with the Three Choirs Festival, and his Memories of Choirs and Cloisters offers a vivid account of the planning and execution of the festivals in that time, those at Gloucester in particular. T…