Par BARTOK BELA. For many countries, folk dances are important cultural treasures. While a first glance at these compositions shows their clear and simple structure with a distinct musical message, a closer look reveals rhythmic curiosities, interesting harmonic shifts, and a diverse expressive range. These characteristics must have enthralled Bartók, as he undertook several research trips to coll…

Par ZUBEL AGATA. The musical axis of the opera Bildbeschreibung consists of the relations between the soloistically treated instruments, the parts of which are based on the realisation by the performers of layers of sound ? understood not just as the exploration of their own instrument, but above all the presentation or representation in sound of the text. Each of the parts forges an area of ?pict…

Par FERNANDEZ MICHELE. Having written this for her son in 1998, composer Michele Fernández brings us this highly emotional and rewarding work for jazz ensemble. The nostalgic opening solo section (which is optional) leads to a sizzling salsa groove which gradually intensifies throughout. The distinctive melody is complemented with lushly scored countermelodies, and all rhythm section parts are car…

Excerpts from Movement 1. Par MOZART WOLFGANG AMADEUS. Mozart belongs to everyone! The experience of actually playing Mozart's music makes him real and more than just a name we associate with old music. Stephen Bulla's arrangement of the first movement of what may arguably be Mozart's greatest symphony has a great deal of authenticity. Much more than many 'just the tune' type transcription/ arrang…

Par SCHROEDER HERMANN. Concerto da chiesa' is the last organ work by Hermann Schroeder (1904-1984). It was composed a few months before his death. The premiere was performed by Clemens Ganz, then organist at the Cathedral of Cologne, in memory of the esteemed teacher and college colleague. The work marks the end of a tirelessly prolific life with more than one hundred organ works of various charac…

Octet. Par REICH STEVE. Détails de la formation instrumentale: 2fl(=picc).2cl(=bcl)-2 Pianot-strings(2.2.2.2.1) For performances where the concert hall has a capacity of greater than 200 the flutes (but not piccolos) and clarinets/bass clarinets must be amplified. - Durée: 17' - Format: New Edition portrait/ Répertoire / 2 Flûtes Traversières, 2 Pianos, 2 Violons, 2 Alto

Arr. Douglas Court. Par MOZART WOLFGANG AMADEUS. It has been said that the magic of Mozart’s music lies in its ability to truly and purely express the inner self. This delightful Grade 21/2 adaptation of a well-known theme from The Magic Flute will help your young musicians gain a deeper understanding of Mozart and the amazing gift that made him the incomparable master of flawless composition. In …

Anthology. Par POLICE THE. 28 morceaux innoubliables qui ont marqué la carrière du groupe Police. Partitions pour piano, chant et guitare (grilles d'accords). / Rép International / Recueil / Piano, Chant et Guitare

Par EMONTS FRITZ. À la suite de la méthode de piano très réussie en deux volumes entre 1958 et 1962, les trois volumes ' European Piano méthode ' représente un nouveau manuel qui prend en compte le développement de la pédagogie du piano moderne. 7 Winning caractéristiques du e / Niveau : Débutant à Intermédiaire / Méthode / Piano