The main objective of this book is to teach music theory through practical activity. Its aims at developing comprehensive musicianship by means of thorough understanding of the materials provided, providing guidance in stylistic analysis and authentic performance, and giving an opportunity for students to integrate what they learn into practice, improvisation, and composition. The material of this…

In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written origin…

In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written origin…

In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written origin…

In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written origin…

Par GRIMES DAVID. The guitar studies of Fernando Sor (1778-1839) have long been valued highly among the indispensable elements of a guitarist's training. A number of prominent virtuosi attribute a large portion of their development to the diligent study of these works. Sor's studies address an impressive array of technical and musical topics, including proper left-hand fingering, training of the r…

Carl Philipp Emanuel Bach's works for violin and harpsichord obbligato pervade his entire compositional oeuvre. The earliest works, like the Sonata in D minor still numbered BWV 1036, date back to the years of study with his father, yet show already a remarkable creative will of his own. The latest work, the fantasia 'C. P. E. Bachs Empfindungen' in F flat minor of 1787 is characterized by the com…

Farewell to philosophy I have a great fondness for the lower string instruments: I am a bass player, my mother is a cellist, as are both my daughters; my own ensemble includes two violas, a cello and a bass, and for the instrumentation of my opera Medea I omit the entire violin section from the orchestra. As I have written a number of works for solo instrument or voice with orchestra I welcomed …

Classic Styles, Techniques and Licks Reimagined with a Modern Feel. A kaleidoscopic reinterpretation of 16 blues rock titans is the hallmark of this Greg Koch book with over three hours of online video lessons. It breaks down the styles, techniques, and licks of guitarists including Albert Collins, B.B. King, Duane Allman, Eric Clapton, Jimi Hendrix, Stevie Ray Vaughan, Johnny Winter and many more…

Arr. James Curnow. Par HAYDN FRANZ JOSEF. Perfect for your young band's first festival, Haydn's GYPSY RONDO, skillfully arranged by James Curnow, lets you explore the classic style. Playing classical music is a great way to encourage control and balance in your young band. And, it's just as important for band students to understand classical music as it is for orchestra students. GYPSY RONDO is al…