Par HOSAY JAMES L.. This regal and stately fanfare-opener is a sterling new offering for band. Sixteen opening bars of thrilling fanfare lead inexorably to a theme expressing dignified momentum. Frequent but simple meter changes help to make this an interesting and educational piece that both the band and the audience will enjoy. A recap of the opening fanfare brings the piece to an exciting finis…

This effective, demanding work for piano solo captivates through its changes between twirling cascades and oases of tranquillity whereby the irridescent development focuses on central reference tones. Occasionally the strings inside the instrument have to be plucked. Matthias Pintscher wishes to achieve the greatest possible sound refinement, leading the performer as well as the audience to magica…

For All musicians wishing to learn fantastic bass lines. While reading from the book, play along with the bassist on the recording (sold separately) until you feel you've mastered his feel and nuances. Then, using the special stereo separation on all of our Play-A-Long recordings, switch the bassist off and play along by yourself with just the piano and drums! This book (like all the Aebersold bas…

Brahms had already announced his ?retirement' from composition when in the spring of 1894 he played chamber music with the cellist Robert Hausmann and the clarinettist Richard Mühlfeld. This encounter apparently renewed his enthusiasm for Mühlfeld's much admired playing and inspired him to write two clarinet sonatas in the summer of the same year. Brahms conceived an alternate version of the works…

Par AEBERSOLD JAMEY. Complete bass line transcription book from Vol. 15 'Payin' Dues' - featuring Ron Carter. For All musicians wishing to learn fantastic bass lines. While reading from the book, play along with the bassist on the recording (sold separately) until you feel you’ve mastered his “feel” and nuances. Then, using the special stereo separation on all of our Play-A-Long recordings, switch…

Here's a kickin' gospel original with energy to spare. Spirited syncopations and intricate chord changes authenticate the style, and a short piano solo paves the way for a funky vocal stack that drives to the end and brings it all home! / Choeur SSA

Par GASIENIEC MIROSLAW. The first version of the Sonata for violin and piano was written in the autumn of 2008, when I had the opportunity to work with the violinist Robert Bachara, who was pursuing his doctoral studies at Wroclaw Music Academy. A few years later, around the turn of 2016, I revised the musical material, made some changes and shortened the work. It was then that Dr Jacek Ropski, a …

Par DEL BORGO ELLIOT. The power and frenzy of a primal dance is brought to life from the very opening notes of this blazing overture! The contrast of the smoldering middle section stands out well against the powerful chord changes and strong melodic lines of the opening themes. / Niveau : 2.5 / Pièce de concert / Répertoire / Concert Band

Par IGUDESMAN ALEKSEY / JOO HYUNG-KI. Either of these pieces, for more advanced players, would make an exceptionally unusual and entertaining concert item. The writers, Aleksey Igudesman and Hyung-ki Joo, have stunned audiences, critics and fellow musicians worldwide with their combined musicianship and hilarious antics. They have now applied their skills and written these pieces specifically for …

d-Moll. Par BACH JOHANN SEBASTIAN. Adaptation of the concerto of 1730/33 with the inclusion of the changes in the 1st and 2nd movements that Bach made in 1740, when he used these movements in the cantata 'Wir müssen durch viel Trübsal' BWV 146./ Répertoire / Orgue, 2 Hautbois, Cor Anglais, Basson et Cordes