Par KREBS JOHANN LUDWIG. Like his teacher, Johann Sebastian Bach, Johann Ludwig Krebs also composed a four-part Clavier-Übung. The second part of his Clavier-Übung, the twelve-movement Suite in C, was published between 1744 and 1756. While stylistically Kreb’s organ music was still oriented towards the work of his teacher, his piano music was marked by the musical changes which were occurring arou…

Born in Erfurt, the composer Edward Mollenhauer (1827-1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are 'The Infant Paganini? and 'The Boy Paganini?.Both appear here in their original version for violin and piano and, for the first time, in a transcription for cello and piano by Christoph Sassmannshaus.The Mollenhauer fantasia 'The Infant Pa…

d-Moll. Par BACH JOHANN SEBASTIAN. Adaptation of the concerto of 1730/33 with the inclusion of the changes in the 1st and 2nd movements that Bach made in 1740, when he used these movements in the cantata 'Wir müssen durch viel Trübsal' BWV 146./ Répertoire / Orgue, 2 Hautbois, Cor Anglais, Basson et Cordes

Reconstructed from BWV 1056. Par BACH JOHANN SEBASTIAN. This violin concerto in G minor has not come down to us in the form presented here. It has been reconstructed from a lost violin concerto that survives solely in Bach's arrangement for harpsichord, namely, as the Harpsichord Concerto in F minor (BWV 1056). The reconstruction is based on a meticulous evaluation of those autograph harpsichord c…

Take Seven is a tried and trusted showpiece with audience appeal. The title Take Seven is of course a play on Paul Desmond's famous Take Five and its recording by the Dave Brubeck Quartet. As there, the rhythms in this piece are largely based on an asymmetric metre - in this case, 7/4 time. Unlike most jazz pieces with an uneven metre, however, Take Seven goes through various moods, sections and t…

Media Type : Book Level : Intermediate Musical Genre : Jazz Number of pages : 88 The purpose of this book is to help the student answer the question, 'What do I play?' It discusses elements of jazz, seventh chords, blues, riffs, vertical and horizontal improvisation, playing through the changes, rhythm patterns, the scalar approach, substitution and much more!

Separate bass part for performance e.g. with cello accompaniment.Schott Violin Library includes eleven contrasting Baroque sonatas for violin and continuo bass. Besides popular and well-known sonatas by Corelli, Vivaldi, Handel and Telemann there are also delightful less familiar compositions by Dall'Abaco, Pepusch and Finger, among others. All these pieces are at lower to intermediate level. Some…

Par . This rousing traditional sea chanty from New Zealand has benefitted from the recent resurgence of interest in sea chanties in general. Robert Longfield\'s arrangement in B minor for string orchestra gives all the sections a chance at the melody, and provides interestingtextural changes, as well. For added energy, get the audience to stomp along! / Date parution : 2022-07-28/ Répertoire / Orc…

This piano duet rendition of the 'Ukrainian Bell Carol' is a sure-fire audience winner. Written as free variations, the traditional melody undergoes several transformations---from a lighthearted polka to a brilliantly intense, virtuosic finale. Along the way, the players navigate crossed-hand playing, scales, trills, arpeggios, octave passages, exciting rhythms, and changes of meter. Audiences wil…

Par BERLE ARNIE. Not just another book of scales and patterns, this is a method that trains the mind, the ears and the fingers to work in perfect synchronization to respond instantaneously to any given chord progression. This ability is of paramount importance to any musician who wants to improvise in the jazz idiom. Leading jazz players have used this method for years, but this is the first time …