This unison (opt. harmony) work for treble voices was written in response to the tragedy of September 11. Healing in nature the composer states:_x000D_'I wanted a tuneful patriotic American sounding melody that children would enjoy singing and I wished to inlay within the words an explanation of what happens in life when tragedy strikes.'

Ethereal alleluia for women's voices---this would be really nice during communion.

For medium Jr. high/high school or easy adult choir 2-part choir with optional SATB ending (a cappella or organ ad lib).

Scored for treble voices with piano and cello this is a deeply meaningful work that is suitable for Mother's Day baptism or services of grief and remembrance two soloists could also sing it.

When The Cross's Bitter-A wonderfully stirring piece for two equal voices contrapuntal lines well within the reach of most high school or adult choirs. This moderately advanced choral work is from our Jean Ashworth_x000D_Bartle Choral Series. _x000D_'The duet from cantata 99 (by J.S. Bach) has become a permanent fixture in the repertoire of the Toronto Children's Chorus'.- Jean Ashworth Bartle.

A set of three show pieces for advanced treble chorus: Evening by Emily Dickenson Afternoon On A Hill by Edna St. Vincent Millay and Stars Over Snow by Sara Teasdale

Three students in elementary music classes wrote these three questions (although the composer indicates that the work adapts well for middle school or older treble choirs)._x000D_ Don't miss out on: When We Grow Up Will We Change The World? If We Do Not Live Then Do We Die? and Important To Me?

Behold The Shepherd

Natalie Sleeth was known for her simple inventive beauty of melody. Here David Giardiniere arranges her work for SAB choir keyboard and optional handbells excellent for celebrating the power of music.

Spiritual-Traditional American spiritual easy for a high school or adult choir