Cantata for the Sundays after Trinity. Par TELEMANN GEORG PHILIPP. 72 Solo Cantatas for Voice, Melodic Instrument and Basso continuo. Cantatas For The Sundays After Trinity - Medium Voice. When Telemann issued his first annual cycle of printed cantatas, Der Harmonische Gottesdienst (Hamburg, 1725-6), he was already one of the leading cantata composers of his time. Thanks to their brevity and their…

Par HOVHANESS ALAN. A sweet miniature composed for solo piano in 1937, Mystic Flute consists of two voices: a simple melody in the harmonic minor scale balanced by an ostinato accompaniment in 7/8 meter that gives the work a hypnotic and ceremonial spirit. The melodic line begins in the top voice, before moving to the bass voice, and returning to the top voice with small ornamentation. No notes we…

Par L'ESTRANGE ALEXANDER. Ahoy Sing For The Mary Rose is a fantastic songbook of sea shanties that takes the singer on a trip across the oceans and centuries. Ahoy Sing for the Mary Rose is a celebration of King Henry VIII famous warship, the Mary Rose, written superbly by Alexander L'Estrange This fantastic songbook includes sheet music for Soprano, Alto Voice, Tenor and Bass voices, as well as u…

for voices and instruments. Par BRYARS GAVIN. Laude were short mediaeval devotional songs to the Virgin Mary, and Gavin Bryars has kept to the pure, lyrical style of the originals. Following the successful publication of Bryars’ first and second volume of laude, which singers around the world have added to their repertoire, this third volume for various combinations of soprano, tenor, viola, cello…

Il dissoluto punito ossia Il Don Giovanni

Dramma giocoso in 2 Akten (deutsch/italienisch)

Edition : Piano Reduction/Vocal Score. Urtext Edition
Editor : Plath, Wolfgang.Rehm, Wolfgang
Binding : hard bound
Instrumentation : 3 Soprano solo, Tenor solo, Baritone solo, Mixed Choir, 3 Bass solo, 2 Flute, 2 Oboe, 2 Clarinet (b flat), 2 Bassoon, 2 Horn, 2 Trumpet, 3 T…

Par ROSE PETE. This piece, dedicated to the flutist Johann Fischer, is an “excentric” piece for solo bass recorder which includes the use of the human voice, alto recorder and gong. This challenging, jazz-oriented piece produces a great effect, during which a few scattered Telemann quotations give the piece a humorous accent./ Répertoire / Flûte à Bec Basse, Flûte à Bec Alto et Tamtam

Par GIRLS ALOUD. Choir Rocks! The Promise, originally performed by Girls Aloud from the album Out of Control, is arranged for upper voices with piano accompaniment by Ben Parry.  Choir Rocks! Series offers flexible arrangements of contemporary pop hits. All pieces are written for soprano and alto, with an optional third part of limited range for baritone or low alto with straightforward piano acc…

Mass for Soloists, Chorus and Orchestra. Urtext of the New Bach Edition. Edition : Piano Reduction/Vocal Score Editor : Smend, Friedrich Binding : paperbound Instrumentation : 2 Soprano solo, Asolo, Tenor solo, Bass solo, Mixed Choir: SSAATTBB, Orchestra, Basso continuo

Zum Nahmensfest des Bonapart produciret. Par HAYDN FRANZ JOSEF. For the first time this work ascribed earlier to Joseph Haydn will be edited here under the name of his brother, Johann Michael Haydn, and based on the most reliable source from 1765 from the Benedictine monastery Göttwieg. There, in the course of a century the work was heard forty times for opening of the solemn High Mass, as also in…

Par VAN BEVEREN ACHIEL. Belgian composer Achiel Van Beveren (1904 - 1985) originally composed this Elegie in 1953 as a vocalise for bass voice and piano (also violin and piano) and it was dedicated to Leopold Loomans, one of his students. Achiel's son, Alex Van Beveren, a professional oboe and English horn player later adapted this work for English horn and piano. This publication includes the sol…