Lord How Long Wilt Thou Forget Me? was beautifully composed by Felix Mendelssohn the German composer Pianist and Organist.Felix Mendelssohn was recognised early on as a musical prodigy but his parents where sceptical about capitalising from Mendelssohn's talent. This fantastic arrangement contains all of the movements From Lord How Long Wilt Thou Forget Me? expertly arranged for Soprano SATB …

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

Par MENDELSSOHN-BARTHOLDY FELIX. Felix Mendelssohn-Bartholdy (1809-1847) fut considéré comme le plus grand enfant prodige après Mozart. Il nous a légué des chefs-d’oeuvre dans presque toutes les formes musicales. La Marche nuptiale extraite de la musique de scène du Songe d’une nuit d’été (1842) demeure sans doute l’une des plus célèbres pages de Mendelssohn. Son orchestration d’apparat et sa joye…

Arr. Douglas Court. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn for band! Mendelssohn is known for the beauty of his melodic themes, and this one from the 'Italian' Symphony certainly fits that category. THEME from SYMPHONY #4 gives impressions of the people and landscapes of this beautiful country. A bucolic sense pervades the score and translates into a restful and uplifting musical experience.…

Oratorium. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn composed his first oratorio Paulus under the impression of his own revival of J. S. Bach’s St. Matthew Passion in 1829. He integrated chorale settings into St. Paul, for which he was accused by his contemporaries of making a stylistic break, using an element unsuitable to church music. In spite of these reservations, during Mendelssohn’s life…

24 Songs by Felix Mendelssohn and Fanny Mendelssohn Hensel contains youthful gems by two great Romantic composers, originally published only under Felix Mendelssohn's name. Includes word-by-word translations of the Italian, French and German text as well as a translation into the International Phonetic Alphabet.

En 1842, au cours de ses vacances d?été, Mendelssohn note par écrit respectivement quatre miniatures pour piano dans les albums de deux garçonnets dans son entourage familiale. Des années plus tard, il remanie les morceaux, rayant deux d?entre eux et classant les morceaux restants dans un nouvel ordre; il les publie sous le titre de «Pièces pour les enfants». Mendelssohn meurt peu avant la parutio…

Herttrich Ernst (Editor) - Schilde Klaus (Editor). Par MENDELSSOHN-BARTHOLDY FELIX. After an early work and a discontinued attempt in 1831/32 Mendelssohn made his breakthrough in this important chamber music genre in the summer of 1839 with the Piano Trio in d minor op. 49, which was to be followed six years later by the Trio in c minor op. 66. On publication of the first trio, Schumann took the o…

24 Songs by Felix Mendelssohn and Fanny Mendelssohn Hensel contains youthful gems by two great Romantic composers, originally published only under Felix Mendelssohn's name. Includes word-by-word translations of the Italian, French and German text as well as a translation into the International Phonetic Alphabet.