| Sérénade For String Orchestra E Major Op. 22 Streichorchester Barenreiter
Dvorak's Serenade in E major for string orchestra is one of his most popular and frequently played works. It was written in the spring of 1875, when he had just experienced his first successes at the conductor's podium and had received a state arts scholarship. The score and parts were published by Bote and Bock, Berlin, in 1879. This Urtext edition is based on the composer's autograph score. It c…
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| Concerto For Pianoforte And Orchestra #4 Op. 58 Piano Quintette: piano, 2 violons, alto, violoncelle Barenreiter
This anonymous sextet arrangement of Beethoven's Fourth Piano Concerto was highly popular in Vienna during the composer's lifetime.We know this from at least two sets of handwritten parts which were then in circulation.No piano part has been handed down- indeed, the original sets of parts probably omitted the piano.The soloist presumably studied his part from the first edition of the solo part, pu…
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| 3 Movements For Piano Trio (MOZART WOLFGANG AMADEUS) Piano Trio: piano, violon, violoncelle G. Henle
Fragments K. 442. Par MOZART WOLFGANG AMADEUS. Mozart often began work on a composition only to put it aside, unfinished. Some of these fragments contain wonderful music, as is proved by these three Piano trio fragments. Mozart composed them at different times as individual movements, though the posthumous first edition brought them together as a supposedly new and unknown Piano trio by the compos…
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| String Quartets Op. 112 And 153 (SAINT-SAENS CAMILLE) Quatuor à cordes: 2 violons, alto, violoncelle [Partition] Barenreiter
Conducteur Ba 10927 et Ba 10928. Par SAINT-SAENS CAMILLE. Ludwig van Beethoven's overpowering legacy caused many subsequent composers to avoid writing string quartets at all. Saint-Saëns was no exception in this respect and waited until 1899 and 1918 to produce his two contributions to the genre. Couched in classicism, they relate in form and style to early 19th-century French quartets and to a ti…
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| Oeuvres Pour Violon Et Piano (DEBUSSY CLAUDE) Violon et Piano Barenreiter
Par DEBUSSY CLAUDE. Claude Debussy had difficulties finishing his last major work, the Sonata for Violin and Piano. This can be seen in the many drafts which have been handed down and the fact that the cycle for which it was conceived was left unfinished. The work originated under the impact of Debussy'
s progressing illness as well as the First World War.
The first edition, published during the …
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| Duetto Per Violoncello E Contrabbasso (ROSSINI GIOACHINO) Violoncelle, Contrebasse (duo) [Conducteur et Parties séparées] Barenreiter
Par ROSSINI GIOACHINO. Duetto Per Violoncello E Contrabbasso. Composed in London near the end of 1824, the Duetto is one of the few chamber music works regularly performed today. It is a light and charming composition yet requires experienced performers. The work was often performed in the 19th century by the Double Bass virtuoso Domenico Dragonetti (called ‘Il drago’ or ‘Paganini of the Double Ba…
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| César Franck: Sonata in A Major: Violin: Instrumental Work Violon Wiener Urtext
Wiener Urtext-Franck's Sonata is one of the most famous works in the chamber music repertoire. This new Wiener Urtext Edition is based on the first edition with Franck's final corrections. Inconsistencies between the Piano score and the solo part are due to annotations by the violinist Eugène Ysaÿe the dedicatee who was given the work as a wedding present. This version likely to have been author…
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| Felix Mendelssohn Bartholdy: Lobgesang / Hymn of Praise op. 52 MWV A 18: Barenreiter
A Symphony-Cantata after texts from the Holy Scriptures-Mendelssohn’s contemporaries frequently mentioned his “Hymn of Praise†in the same breath as Beethoven’s Ninth – and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper in his extensive Introduction to this new Urtext edition shows that the comparison is completely unfounded: with this work Mendelssoh…
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| Sonatas for Pianoforte and Violin Volume I and Volume II (BEETHOVEN LUDWIG VAN) Violon et Piano [Partition] Barenreiter
Par BEETHOVEN LUDWIG VAN. Beethoven’s Sonatas for Pianoforte and Violin are now available at a special set price. The set consists of volume I (BA 9014) and volume II (BA 9015).
Beethoven’s ten sonatas for piano and violin, along with those by Mozart, constitute the heart of this classical music genre. Following the lead of Mozart’s late sonatas, Beethoven lets the violin part become increasingly…
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| Quartet For Two Violins, Viola And Violoncello No. 1 In E Minor Op. 112 (SAINT-SAENS CAMILLE) Barenreiter
Studyscore - BATP779. Par SAINT-SAENS CAMILLE. Ludwig van Beethoven's overpowering legacy caused many subsequent composers to avoid writing string quartets at all. Saint-Saëns was no exception in this respect and waited until 1899 and 1918 to produce his two contributions to the genre. Couched in classicism, they relate in form and style to early 19th-century French quartets and to a titan of the …
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| Wolfgang Amadeus Mozart: Complete Piano Sonatas: Piano: Instrumental Work Piano seul Wiener Urtext
Vol 1 Ut 50226 + Vol 2 Ut 50227-For more than 200 years Mozart’s piano sonatas have been part of every pianist’s repertoire. Research done over the last few decades has made it possible however to establish more accurate dating and ordering of these works. Expert examination of original documents has shown that many printed editions from the eighteenth Century give more reliable deta…
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| Danses (DEBUSSY CLAUDE) Harpe et Piano G. Henle
Par DEBUSSY CLAUDE. Debussy wrote these two short dances to a commission from the instrument-making firm of Pleyel, which was keen to use famous names in the marketing of its newly-developed chromatic harp. The dances are also playable without problem on the pedal harp, which was to replace the chromatic harp on the concert platform. The archaic style of the pieces, including modal harmonies, used…
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| Siegfried - Full Score (WAGNER RICHARD) Opéra Full Score [Partition] Dover Publications
in Full score. Par WAGNER RICHARD. Richard Wagner put his supreme effort, as well as his earnings, into constructing the perfect festival theater in the Bavarian town of Bayreuth where his masterpiece, the four-opera cycle Der Ring des Nibelungen, could be performed in a manner which would conform to his vision of how the drama should unfold. Wagner's own perception was that the unique and revolut…
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| Kummer F.a. - 92 Progressive Exercises Vol.1 - Violoncelle Violoncelle Schott
The studies by Friedrich August Kummer are perfect for music lessons, particularly because of their accompaniment of a second violoncello. They are characterized by a very systematic arrangement, cleverly introduce the circle of fifths and offer exercises at all levels of difficulty. The studies originally come from the appendix to Kummer's Celloschule für den ersten Unterricht Op. 60. In this ne…
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| Lobgesang / Hymn of Praise Op. 52 MWV A 18 (MENDELSSOHN-BARTHOLDY FELIX) Piano, Voix [Partition] Barenreiter
Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn's contemporaries frequently mentioned his 'Hymn of Praise” in the same breath as Beethoven's Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper, in his extensive Introduction to this new Urtext edition, shows that the comparison is completely unfounded: with this work Mendelssohn created a new genre to which he…
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| Lobgesang / Hymn of Praise Op. 52 MWV A 18 (MENDELSSOHN-BARTHOLDY FELIX) Voix et Orchestre [Partition] Barenreiter
Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn's contemporaries frequently mentioned his 'Hymn of Praise” in the same breath as Beethoven's Ninth - and often enough viewed it as an imitation. Mendelssohn authority John Michael Cooper, in his extensive Introduction to this new Urtext edition, shows that the comparison is completely unfounded: with this work Mendelssohn created a new genre to which he…
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