Trinitatismesse. Par MOZART WOLFGANG AMADEUS. Tonalité : C-Dur - Horn, Paul (Arr. ) - KV 167/ Répertoire / Choeur SATB, 2 Hautbois, 2 Clarines, 2 Trompettes,

Spaur-Messe. Par MOZART WOLFGANG AMADEUS. Tonalité : C-Dur - Blumenthaler, Volker (Arr. ) - KV 258/ Répertoire / Solistes SATB, Choeur SATB, 2 Clarines, Timbales,

Große Credomesse. Par MOZART WOLFGANG AMADEUS. Tonalité : C-Dur - Siedel, Mathias (Arr. ) - KV 257/ Répertoire / Solistes SATB, Choeur SATB, 2 Hautbois, 2 Clarines

Trinitatismesse. Par MOZART WOLFGANG AMADEUS. Tonalité : C-Dur - Horn, Paul (Arr. ) - KV 167/ Répertoire / Choeur SATB, 2 Hautbois, 2 Clarines, 2 Trompettes,

Tonalité : C-Dur - Kred 326. Par DITTERSDORF CARL DITTERS VON. Of the 19 Masses by Dittersdorf which have been handed down, the present Mass, which is being published for the first time, enjoyed a special popularity during the composer’s lifetime and it was even performed for the coronation of emperor Franz II in the Frankfurt Cathedral. This solemn, prestigious Mass shows evidence of choral movem…

Spatzenmesse. Par MOZART WOLFGANG AMADEUS. An unusual feature of this Mass is its cyclic form, a compositional principle which Mozart first introduced in his masses in this 'Mass in C': in the Agnus Dei ('Dona nobis pacem') he reverted to the music of the Kyrie, thus giving the Mass overall musical unity. Another unusual feature of this work is its popular character. This is evident both in its ca…

Tonalité : C-Dur - Kv 46. Par FUX JOHANN JOSEPH. In his numerous works Fux succeeded in combining, with extremely interesting results, the art of setting construction as learned from Palestrina with the advanced style of composition of the Neapolitan school. / Messe / Répertoire / Solistes SATB, Choeur SATB, 4 Trompettes, Timbales

Trinitatismesse. Par MOZART WOLFGANG AMADEUS. Tonalité : C-Dur - Horn, Paul (Arr. ) - KV 167/ Répertoire / Choeur SATB, 2 Hautbois, 2 Clarines, 2 Trompettes,

Spatzenmesse. Par MOZART WOLFGANG AMADEUS. Tonalité : C-Dur - KV 220 (196b)/ Répertoire / Solistes SATB, Choeur SATB, 2 Clarines, Timbales,

Spatzenmesse. Par MOZART WOLFGANG AMADEUS. An unusual feature of this Mass is its cyclic form, a compositional principle which Mozart first introduced in his masses in this 'Mass in C': in the Agnus Dei ('Dona nobis pacem') he reverted to the music of the Kyrie, thus giving the Mass overall musical unity. Another unusual feature of this work is its popular character. This is evident both in its ca…