Arrangeur: Joseph Knaus. Par SUZUKI SHINICHI. Comprised of works from Volumes 1, 2, and 3 of the Suzuki Violin School, which have been arranged for string quartet by violinist/arranger Joseph Knaus. With lower string parts providing melodic and rhythmic counterpoint to set off the simple melodies (which match the Suzuki Method repertoire), these quartets are nevertheless simple enough for beginnin…

Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant le piano-forte.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - deux volumes.Volume - 1 (Réf. 5803) : Jean-Chrétien - BACH et Francesco-Pasquale - RICCI - Antoine BEMETZRIEDER - Félix-Louis DESPREAUX - C. DREUX - François-Guillaume DUCRAY-DUM…

Haydn's Symphony #26 received its nickname 'Lamentazione? during his lifetime, though it is unclear whether this stems directly from the composer.This work probably originated no later than 1770. Its first and second movements quote excerpts from Gregorian chants used in Holy Week. In Haydn's day it was customary to play individual movements in church services, and it may be assumed that these two…

Haydn's Symphony Hob. I:89 belongs to a group of symphonies composed between the 'Paris? symphonies (Hob. I:82-87) and their 'London? counterparts (Hob. I: 93-104) - the last ones he wrote before his trips to England in 1791-92 and 1794-95. The Symphony in F major is dated 1787 in the autograph score. In this work Haydn borrowed two movements from an earlier piece, possibly owing to deadline press…

Arrangeur: Joseph Kreines. Par SUPPE FRANZ VON. Overture fougueux de Suppé est instantanément reconnaissable et dans cette transcription par Joseph Kreines, parfaitement adapté pour les performances de bande de concert !/ Répertoire / Ensemble à Vent

Die Schöpfung. Par HAYDN FRANZ JOSEF. The oratorio 'The Creation' represents not only a crucial point in Joseph Haydn's compositional output, but at the same time, marks the beginning of a new chapter in the history of the oratorio. At the turn of the 19th century, Haydn broke with the traditional dominance of the arias, giving the chorus a distinctly greater significance. This opened the way for…

Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant l'alto.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - trois volumes.Hector BERLIOZ (1-2) - Jacques MARTINN (1-2) - August Mathieu PANSERON - Joseph VIMEUX. Table des matières : Martinn Jacques : Nouvelle méthode d'alto - 1826Martinn Jacques…

Performed by Daniela Shtereva, violin Accompaniment: Joseph Seiger, piano Jascha Heifetz, great violinist of the 20th century, was renowned for his encores, and here is an incredible collection of these exciting pieces. Your accompanist is the well-known accompanist of Mischa Elman for many years, Joseph Seiger. In 1999, brilliant violinist Daniela Shtereva added her talents for the complete versi…

Fantasy on Irish [Scottish] Themes (1852). Par JOACHIM JOSEPH. Joseph Joachim's 'Fantasies on Hungarian and Irish [Scottish] Themes” was his first virtuoso music for the violin with orchestral accompaniment. Joachim was intent on creating popular works, not least at the urging of his family, but they also bore witness to his urbanity: the young Jewish-Hungarian musician spent many summers in Engla…

Par OSWALD GERALD. La composition est enjouée, dynamique, les notes dansent. Elle ne cherche pas à raconter une histoire, mais à représenter un état, un état de gaieté et de légèreté.?Avec ses motifs malicieux et ludiques, In the Air exprime quelque chose de joyeux, d'insouciant et de positif. La pièce donne l'impression d'une brise, d'un vent léger. Gerald Oswald est né en 1968 à Groß-St. Florian…